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Emblem of ruin

The Fate of Allegory in a Time of Weak Theory

Datos Bibliográficos

ID5726576
AutoresAaron Nyerges (American Studies, United States Studies Centre, University of Sydney, Camperdown, Australia, autor de correspondencia)
Año2021
Volumen35
Número10
Páginas1607-1627
Fecha de publicación2021-10-03
Open AccessNo
TipoARTICLE
RevistaTextual Practice (JOURNAL)
Identificadores de la revistaISSN: 0950-236X • E-ISSN: 1470-1308
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0950236x.2021.1965292
OpenAlexW3198977322
IdiomaEN

This article assesses the place of allegory in a literary field influenced by weak theory. As an ancient form of expression that encrypts ulterior meanings, allegory requires claims that would seem to supersede the restricted and descriptive methods of contemporary criticism. Drawing from the oeuvre of Walter Benjamin and setting it to work through the art collection of the Hollywood icon Mary Pickford, I argue that allegory’s respect for deterioration can actually support the restrictedness of critical claims, and that its image of ruin provides a strong emblem for weak theory

Allegory · Art · Art history · Criticism · Emblem · Icon · Literature · Cinema and Media Studies · Computer Science · Contemporary Literature and Criticism · Philosophy · Shakespeare, Adaptation, and Literary Criticism

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