Shifting from offline to online collaborative music-making, teaching and learning
Perceptions of Ethno artistic mentors
Datos Bibliográficos
| ID | 5769445 |
|---|---|
| Autores | Stephen J Gibson (0000-0003-3098-3231, York St John University, autor de correspondencia), Sarah-Jane Gibson (York St John University) |
| Año | 2021 |
| Volumen | 23 |
| Número | 2 |
| Páginas | 151-166 |
| Fecha de publicación | 2021-03-15 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Music Education Research (JOURNAL) |
| Identificadores de la revista | ISSN: 1461-3808 • E-ISSN: 1469-9893 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14613808.2021.1904865 |
| OpenAlex | W3144778796 |
| Idioma | EN |
| Citas recibidas | 14 |
| Referencias citadas | 22 |
Turino's ([2008]. Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press.) distinctions between live and recorded fields can act as an effective framework for furthering academic understandings of how music teaching and learning has been impacted by the shift to online musical practice due to COVID-19 pandemic restrictions. This study investigates the effect this has had on Ethno World, JM-International's programme for folk, world and traditional music. They support youth folk music gatherings in over 23 countries and responded to the restrictions by devising 'The Hope sessions', online tune learning workshops, and the 'Exchange sessions', online folk music collaborations. This research is a hybrid ethnographic investigation of these two programmes. Hybrid ethnography is situated in a digital and physical environment (Przbylski, [2021]. Hybrid Ethnography: Online, Offline and In Between. SAGE Publications.). Data was gathered through online participant observation and interviews with artistic mentors and co-ordinators of the online programmes. Findings reveal a tension between values of inclusivity and aesthetic quality suggesting artistic mentors have needed to adjust their goals, conceptions and roles within the musical practice. These findings provide timely insight into how pedagogical approaches change when they shift from an offline to online context
Online and offline · Participant observation · Diverse Music Education Insights · Music Therapy and Health · Neuroscience and Music Perception
Is “Watching and Copying” the New “Listening and Copying”
Data-Driven Insights for Performing Arts Teaching
Fostering future music teachers' professional skills
Performance Practice in a Pandemic
An International quartet of voices
Analysing the effectiveness of online digital audio software and offline audio studios in fostering Chinese folk music composition skills in music education
Mentoring in the context of music teacher education
Digital musicianship in post-pandemic popular music education
A Music Teacher’s Blended Teaching and Learning Experience during Covid-19
Núm. 50 (2022)
Núm. 50 (2022)
“Debemos erradicar el miedo a las diferencias”
Fusion and innovation-advancing sustainability through hybrid musical genres in education
Embodiment and inspiration of Chinese philosophy of life in traditional music education
| Obras citantes distintas | 14 |
|---|---|
| Citas por año | 3,5 |
| Intervalo de citas | 2022 - 2025 (4) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 14 |