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As Identidades "Outras" Do Discurso Polêmico Antimágico No Brasil

Datos Bibliográficos

ID5777964
AutoresEmmanuel Ramalho De Sá Rocha (autor de correspondencia)
Año2017
Volumen26
Número1
Páginas182-202
Fecha de publicación2017-01-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaLabirinto (JOURNAL)
Identificadores de la revistaISSN: 1519-6674 • E-ISSN: 1519-6674
EditorialFundacao Universidade Federal de Rondonia (PUBLISHER)
DOI10.47209/1519-6674.v.26.n.1.p.182-202
OpenAlexW2757674718
IdiomaPT
Citas recibidas1

The antimagical polemic discourse is a historical-cultural phenomenon that runs through the entire course of Western civilization.From it, it is understood that the term magic has been used as an exclusion category, a tool to to stigmatize in particular the beliefs, practices, ideas, and behaviors of the Othera kind of religious, cultural, ethnic, etc. adversarywhich is the target of a polemic discourse.It is possible to identify that in certain historical periods and societies certain identities were established as the Other par excellence of this discourse.For example, the term magic appears in Ancient Greece to initially stigmatize Persian religious agents.In the medieval period, the Other of Christianity is mainly the pagan.And in modernity, the target is the figure of the primitive.Thus, this research aims to investigate what are and how the antimagical polemic discourse in Brazil established its Other(s).It is argued that the black or, later, the adherent of Afro-Brazilian religions have been mainly the main targets of the antimagical polemic discourse in the country, but also stand out the figures of the Indian, the woman and the spiritist as Others of this discourse

Literature, Culture, and Criticism

  • African Diaspora Protection

    Open Access•Andrea Guerrero Mosquera•Anuario Colombiano de Historia…•2023

Obras citantes distintas1
Citas por año0,33
Intervalo de citas2023 - 2023 (1)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 1

Herramientas

Abrir DOIOpen Access
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