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Performing Africa in New Orleans

Datos Bibliográficos

ID5778026
AutoresCynthia Becker (0000-0002-9594-448X, Cynthia Becker, a New Orleans native, is associate professor in the Department of History of Art & Architecture at Boston University. She specializes in visual culture from northwestern Africa, specifically Morocco, Algeria, and Niger. Her current research concentrates on the impact of the trans-Saharan slave trade on visual and performing arts in the Maghreb as well as the history of Black Indian carnival traditions in New Orleans), Rachel Breunlin (0000-0002-3581-3138, University of New Orleans), H A Regis (0000-0001-7762-6712, Louisiana State University)
Año2013
Volumen46
Número2
Páginas12-21
Fecha de publicación2013-05-29
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaAfrican Arts (JOURNAL)
Identificadores de la revistaISSN: 0001-9933 • E-ISSN: 1937-2108
EditorialMIT Press (PUBLISHER • US)
DOI10.1162/afar_a_00062
OpenAlexW2091262787
IdiomaEN
Citas recibidas2
Referencias citadas18

June 01 2013 Performing Africa in New Orleans Cynthia Becker, Cynthia Becker Cynthia Becker, a New Orleans native, is associate professor in the Department of History of Art & Architecture at Boston University. She specializes in visual culture from northwestern Africa, specifically Morocco, Algeria, and Niger. Her current research concentrates on the impact of the trans-Saharan slave trade on visual and performing arts in the Maghreb as well as the history of Black Indian carnival traditions in New Orleans. [email protected] Search for other works by this author on: This Site Google Scholar Rachel Breunlin, Rachel Breunlin Rachel Breunlin is ethnographer-in-residence in the Department of Anthropology at the University of New Orleans, and the co-director of the Neighborhood Story Project, a book-making organization in partnership with the university that creates collaborative ethnographies of the city. [email protected] Search for other works by this author on: This Site Google Scholar Helen A. Regis Helen A. Regis Helen A. Regis is Associate Professor in the Department of Geography and Anthropology at Louisiana State University. She is the author of Fulbe Voices: Marriage, Islam, and Medicine in Northern Cameroon and, with John Bartkowski, Charitable Choices: Religion, Race, and Poverty in the Post-Welfare Era. Her work on second-line parades and the intersections of culture and commerce has appeared in American Ethnologist and Collaborative Anthropologies. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Cynthia Becker Cynthia Becker, a New Orleans native, is associate professor in the Department of History of Art & Architecture at Boston University. She specializes in visual culture from northwestern Africa, specifically Morocco, Algeria, and Niger. Her current research concentrates on the impact of the trans-Saharan slave trade on visual and performing arts in the Maghreb as well as the history of Black Indian carnival traditions in New Orleans. [email protected] Rachel Breunlin Rachel Breunlin is ethnographer-in-residence in the Department of Anthropology at the University of New Orleans, and the co-director of the Neighborhood Story Project, a book-making organization in partnership with the university that creates collaborative ethnographies of the city. [email protected] Helen A. Regis Helen A. Regis is Associate Professor in the Department of Geography and Anthropology at Louisiana State University. She is the author of Fulbe Voices: Marriage, Islam, and Medicine in Northern Cameroon and, with John Bartkowski, Charitable Choices: Religion, Race, and Poverty in the Post-Welfare Era. Her work on second-line parades and the intersections of culture and commerce has appeared in American Ethnologist and Collaborative Anthropologies. [email protected] Online Issn: 1937-2108 Print Issn: 0001-9933 (c) 2013 by the Regents of the University of California.2013 African Arts (2013) 46 (2): 12-21. https://doi.org/10.1162/AFAR_a_00062 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Cynthia Becker, Rachel Breunlin, Helen A. Regis; Performing Africa in New Orleans. African Arts 2013; 46 (2): 12-21. doi: https://doi.org/10.1162/AFAR_a_00062 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsAfrican Arts Search Advanced Search This content is only available as a PDF. (c) 2013 by the Regents of the University of California.2013 Article PDF first page preview Close Modal You do not currently have access to this content

Music History and Culture · Public Spaces through Art · Sport and Mega-Event Impacts

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    D Bondarenko, Dmitri M Bondarenko•Africa Review•2017

  • Things You'd Imagine Zulu Tribes to Do”

    Felipe Smith•African Arts•2013

  • Africans in colonial Louisiana

    Gwendolyn Midlo Hall•Africans in colonial Louisiana•1992

  • Blues for New Orleans

    Roger D Abrahams, John F Szwed et al.•Blues for New Orleans•2006

  • The Myth of the Negro Past

    Melville J Herskovits•Babel Revue internationale de la…•1961

  • New Orleans Music as a Circulatory System

    Sakakeeny Sakakeeny•Black Music Research Journal•2011

  • New Orleans in the World and the World in New Orleans

    Lipsitz Lipsitz•Black Music Research Journal•2011

  • Creole New Orleans

    Edward F Haas, Arnold R Hirsch et al.•The Journal of Southern History•1994

  • Carnival and the Law in New Orleans

    Joseph Roach•TDR/The Drama Review•1993

  • Indian Altars of the Spiritual Church

    Stephen C Wehmeyer•African Arts•2000

  • Interview with Robert Farris Thompson

    Donald J Cosentino, Robert Thompson et al.•African Arts•1992

  • Intangible Cultural Property, Semiotic Ideology, and the Vagaries of Ethnoculinary Recognition

    Stephan Palmié•African Arts•2009

  • Communiqué from Afro-Atlantis

    Robert Thompson, Robert Farris Thompson•African Arts•1999

  • Can There Be a Critical Collaborative Ethnography

    Rachel Breunlin, H A Regis•Collaborative anthropologies•2009

  • The souls of black folks

    Open Access•W E B Dubois•Society•1991

  • Worms, Witchcraft and Wild Incantations

    Jeffrey David Ehrenreich•Anthropological Quarterly•1996

  • Creating Mami Wata

    Open Access•Henry John Drewal•Museum Anthropology•2012

  • But What if I Should Need to Defecate in Your Neighborhood, Madame

    Open Access•John Collins•Cultural Anthropology•2008

Obras citantes distintas2
Citas por año0,15
Intervalo de citas2013 - 2017 (5)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 2
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