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Microtonal Guitar Culture in Turkey

Datos Bibliográficos

ID5780774
AutoresOzkan Eren (0000-0001-8036-9737, Trabzon University, autor de correspondencia), Uğur Zeynep Güven (0000-0002-6948-2277, Istanbul Medeniyet University)
Año2022
Volumen6
Número1
Páginas1-25
Fecha de publicación2022-06-28
Open AccessSí
TipoARTICLE
RevistaMusicologist (JOURNAL)
Identificadores de la revistaISSN: 2618-5652 • E-ISSN: 2618-5652
EditorialMusicologist (PUBLISHER)
DOI10.33906/musicologist.956706
OpenAlexW4283723914
IdiomaEN
Referencias citadas4

The main objective of this article is to analyze the development and the contemporary artistic milieu of microtonal guitar culture in Turkey. With a particular focus on the adjustable microtonal guitar developed by Tolgahan Çoğulu, we examined musicians' experiences and the ways that they relate to this musical instrument. We used qualitative research methods and conducted in-depth interviews with our key informant and adviser Tolgahan Çoğulu as well as eight musicians who specialize in microtonal guitar. We utilized Bennett and Peterson's definition of 'scene' to discuss microtonal guitar culture in Turkey. After briefly presenting the development of guitar music and questioning the nature of its representation in Istanbul, we analyzed the themes that emerged in conversation with the guitar players. We determined that our interviewees, who are educated, enthusiastic and committed musicians, are all influenced by Tolgahan Çoğulu's efforts to shape the microtonal guitar world and are driven by their own artistic motivations. We found that musicians shared views on the innovative and promising qualities as well as certain live performance-related difficulties of this instrument -including the need to hammer new frets for different tuning systems on stage and the necessity of sharing microtonal guitar music recordings or videos using new media technologies. Although musical pieces in the microtonal guitar repertoire are mainly rooted in Turkish music, many consider this instrument to be an attempt towards overcoming the generally accepted distinctions between Western and Eastern music. We aim to contribute to further analysis of this flourishing music culture through our discussions on future implications of the current situation and our projections for the growing interest in microtonal music in Turkey

Flourishing · Guitar · Violin musical styles · Diverse Music Education Insights · Music Education and Analysis · Music History and Culture

  • Music Scenes

    Andy Bennett, Richard A Peterson•Music Scenes•2004

Altamente citadoNo
Abrir DOIOpen Access
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