The Cultural Politics of Aspiration

Family Photography's Mixed Feelings

Datos Bibliográficos

ID5786751
AutoresThy Phu (0000-0003-3512-5172), Elspeth H Brown (0000-0002-5977-7186)
Año2018
Volumen17
Número2
Páginas152-165
Fecha de publicación2018-08-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaJournal of Visual Culture (JOURNAL)
Identificadores de la revistaISSN: 1470-4129 • E-ISSN: 1741-2994
EditorialSAGE Publishing (PUBLISHER • US)
DOI10.1177/1470412918782352
OpenAlexW2886187707
IdiomaEN
Citas recibidas15
Referencias citadas22

This article describes the relationship between family photography, oral history, and feeling. The authors explore questions about affect and family photography in relationship to black, queer relationality and to Asian, diasporic subjectivities. They argue that the affective modality of family photography for marginalized subjects is that of 'mixed feelings', which they analyze through a focus on 'aspiration' as central to the visual and affective discourses of family photography, oral history, and diaspora. Working with recent work by Christina Sharpe and Tina Campt, the authors describe aspiration within family photography as indexing both the normative temporalities of capitalist futurity and, at the same time, a utopian technology of black futurity that enables the making of necessary futures outside of white supremacy and heteronormativity. The research is part of a larger photography and oral history project, The Family Camera Network, which the article describes

Diaspora · Oral history · Temporalities · Temporality · Memory, Trauma, and Commemoration · Oral History, Memory, Narrative Analysis · Photography and Visual Culture