Adorno, crítico dialético da cultura

Datos Bibliográficos

ID5800929
AutoresBruna Della Torre (0000-0003-4472-8848, autor de correspondencia), Bruna Della Torre De Carvalho Lima
Año2018
Fecha de publicación2018-01-04
Peer ReviewedSí
Open AccessSí
TipoTHESIS
EditorialUniversidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER)
DOI10.11606/t.8.2018.tde-04012018-164207
OpenAlexW2783805621
IdiomaPT
Referencias citadas15

This dissertation aims to comprehend the nature of Theodor W. Adorno's critique of culture and how it distinguishes itself from different models arising from cultural critique and from sociology of culture.For this purpose, the dissertation presents a series of Adorno's analyses of culture, which begins in the 1930s, especially in his debate with Walter Benjamin concerning art and politics.It sought to understand how this debate suffered an inflection due to Adorno's exile in the United States, where the concept of "culture industry" would be conceived and out of which his critique of radio, cinema and television and of the mode of social integration in late capitalism were delineated.Through the presentation of other moments of Adorno's work, such as literary critique, aesthetics and philosophy, it sought to demonstrate the complementarity of different moments which, together, allow us to glimpse a dialectical critique which's consequence is the sublation of the very concept of culture

Aesthetics · Art · Art history · Capitalism · Complementarity (molecular biology · Critical theory · Culture industry · Culture theory · Dialectic · Epistemology · Late capitalism · Movie theater · Political science · Politics · Social science · Sociology · Sociology of culture · Anthropology · Brazilian cultural history and politics · Cultural, Media, and Literary Studies · Literature, Culture, and Criticism · Philosophy