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Bayou Boogie

The Americanization of Cajun music, 1928-1950

Datos Bibliográficos

ID5814031
AutoresRyan André Brasseaux (Louisiana State University Agricultural Center), Ryan Brasseaux (Louisiana State University)
Año2004
Fecha de publicación2004-11-03
Peer ReviewedSí
Open AccessNo
TipoTHESIS
EditorialLouisiana State University Libraries (PUBLISHER)
DOI10.31390/gradschool_theses.2008
OpenAlexW2744726509
IdiomaEN
Referencias citadas27

Bayou Boogie by Ryan A. Brasseaux outlines the evolution of Cajun music from 1928 to 1950. This thesis highlights obscure recordings by lesser-known Cajun artists to demonstrate how the Cajun-American discourse took place across Fredrik Barth's ethnic boundaries model. This study acknowledges the complexities of the Cajun experience by examining the regional and national socio-cultural contexts in which commercial Cajun recordings flourished. The birth of commercial Cajun music, John and Alan Lomax's 1934 Louisiana field recordings, and Cajun swing (Cajun inflected-western swing) are all discussed in detail to paint a picture of the complexities that shaped south Louisiana's fertile musical landscape between 1928 and 1950. Brasseaux uses music to illustrate the historical roots of the present-day Cajun-American discourse, ultimately concluding that Cajuns negotiated their ethnic and American identities without compromising their ethnicity to protect their cultural resources

Art · Art history · Country · Ethnic group · Ethnology · Genealogy · Sociology · American History and Culture · Anthropology · History · Music History and Culture · Theater, Performance, and Music History

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Altamente citadoNo
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