Teoria e prática do viewpoints

Inspired by the innovative experiments between artistic languages occurring in the 1960s, the choreographer Mary Overlie created an improvisation technique, Six Viewpoints.Years later, this technique was developed and systematized by Anne Bogart, director of SITI Company.The emphasis of this technique is in the simultaneous use, by the actor, of the categories of time and space as creative partners.From the historical background, this study analyzes the influence of the pioneers of postmodernism, especially the exponents artists from Judson Dance Theater and the minimalist artists.The study also compares the different approaches by these artists who developed the technique in a critical and comprehensive analysis of the fundamentals that drive each component and its methodologies.Besides investigating its source context, its development throughout the eighties, the study investigates the exploitation of the technique and its relationship with the post-dramatic scene as part of the scenic writings.As a case study, it analyzes the creating process of the play "Otro", by the Collective Improvisation, a group that was born from Viewpoints technical training, initially coordinated by Enrique Diaz and Marina Lima after their stay in the Summer

Archaeology · Art · Art history · Dance · Humanities · Improvisation · Literature · Postmodernism · Sociology · Viewpoints · Visual arts · Arts and Performance Studies · Computer Science · Historical and Modern Theater Studies · History · Theatre and Performance Studies

• Breathing Common Air

  Joan Herrington•TDR/The Drama Review•2002

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• From the Battle to the Gift

  Eelka Lampe•TDR/The Drama Review•1992

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• The Way of Acting

  Laurence Kominz, Tadashi Suzuki et al.•Monumenta Nipponica•1987

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• Mary Overlie

  Open Access•Sally R Sommer•The Drama Review TDR•1980

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• Theatricality

  Josette Feral, Ronald P Bermingham•SubStance•2002

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