Cinema sob mulheres. Experiência feminina no cinema brasileiro durante a ditadura militar
Datos Bibliográficos
| ID | 5824232 |
|---|---|
| Autores | Luísa Reami Vieira Girardi (autor de correspondencia) |
| Año | 2018 |
| Fecha de publicación | 2018-12-19 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | THESIS |
| Editorial | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.31.2018.tde-18122018-102708 |
| OpenAlex | W2920537402 |
| Idioma | PT |
| Referencias citadas | 3 |
The present research aims to understand the place of female authorship and experience in cinematographic language within a troubled temporal cut of Brazilian history: the military dictatorship .The starting point for this goal is the analysis of two Brazilian films made by two women directors: Os Homens que Eu Tive (1973) by Teresa Trautman and Mar de Rosas (1977) by Ana Carolina.Taking into account the reception of the movies, the analysis of the discourses, the social and cultural changes that have been occurring during the period -concomitantly with the intensification of political and economic authoritarianism, the genre emanates as a category of analysis to think about the intersections, contradictions and ruptures experienced by women that destabilize the hierarchies of gender with their artistic creation.Although they work within distinct film genres -Teresa Trautman with erotic comedy and Ana Carolina with the fictional narrative -both films allow an unconventional reflection on power relations by encouraging understandings that center around cultural resistance strategies
Art · Art history · Authoritarianism · Comedy · Dictatorship · Humanities · Literature · Military government · Movie theater · Narrative · Political science · Politics · Sociology · Brazilian cultural history and politics · Cinema and Media Studies · Gender Studies · Gender, Sexuality, and Education · History
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |