Mnemonics for War
Trench Art and the Reconciliation of Public and Private Memory
Datos Bibliográficos
| ID | 5830572 |
|---|---|
| Autores | Clare Whittingham (autor de correspondencia) |
| Año | 2008 |
| Volumen | 14 |
| Fecha de publicación | 2008-10-06 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Crossing boundaries (JOURNAL) |
| Identificadores de la revista | ISSN: 1711-053X • E-ISSN: 1718-4487 |
| Editorial | University of Alberta Libraries (PUBLISHER) |
| DOI | 10.21971/p76306 |
| OpenAlex | W1493246025 |
| Idioma | EN |
| Citas recibidas | 4 |
The study of British First World War memorials has generated a considerable body of literature since its emergence as a scholarly field in the 1990s. Less attention has been devoted, however, to commemorative objects of a smaller and more personal character that were collected during and after 1914-1918 for display in homes and museums. This paper finds 'trench art', battlefield souvenirs and commercially produced war kitsch negotiating the gap between civilian and military experiences of war and its translation into memory. Particular consideration is given to the Imperial War Museum as representative of institutional attitudes towards this unique and still-contested category of unconventionally commemorative material
Battlefield · Mnemonic · Historical Art and Culture Studies · Memory, Trauma, and Commemoration · Photography and Visual Culture
| Obras citantes distintas | 4 |
|---|---|
| Citas por año | 0,29 |
| Intervalo de citas | 2012 - 2024 (13) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 4 |