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Biopolitics and Media Power in the Online Dance Remake

Remixing Beyoncé's "***Flawless" in the YouTube Archive

Datos Bibliográficos

ID5848853
AutoresKieran Mcgee (0000-0003-3897-1024, University of Groningen, autor de correspondencia), Kristin McGee (Arts, Culture and Media, University of Groningen, Groningen, The Netherlands)
Año2018
Volumen42
Número1
Páginas22-41
Fecha de publicación2018-12-18
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaPopular Music & Society (JOURNAL)
Identificadores de la revistaISSN: 0300-7766 • E-ISSN: 1740-1712
EditorialTaylor & Francis (PUBLISHER • GB)
DOI10.1080/03007766.2019.1555891
OpenAlexW2905292785
IdiomaEN
Citas recibidas1
Referencias citadas16

This article examines the dance sequences from Beyoncé's 2013 video "***Flawless" to highlight the centrality of popular black dance within contemporary culture. Further, it looks beyond Beyoncé's corpus to critically examine the dance remake, a forum in which dancers harness "media power" (Carroll) within the YouTube archive to re-signify Beyoncé's work through collective choreographed dance. In this environment, dancers construct alternative biopolitics grounded by localized and participatory modes of identification. In short, this article argues that Beyoncé's deeply personal and multifaceted poetics, when remixed via collective articulations, prompt non-essentialist negotiations of black culture's intersectionality. Ultimately such intersectional responses to Beyoncé's videos complicate recent debates about feminism, resilience, and sexuality within the music industry. It is also within the YouTube archive where the choreographer has assumed an elevated yet precarious status

Biopower · Electronic dance music · Essentialism · Intersectionality · Poetics · Popular culture · Diversity and Impact of Dance · Music History and Culture · Theater, Performance, and Music History

  • Sad Girls on TikTok

    Open Access•Veronika Muchitsch•Popular Music & Society•2024

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    A Durham•Feminist Media Studies•2011

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    Open Access•Kyra D Gaunt•Journal of Popular Music Studies•2015

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Obras citantes distintas1
Citas por año0,5
Intervalo de citas2024 - 2024 (1)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 1

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