On the Methodology of Studying Palimpsests in Rock Art
The Case of the Shalabolino Rock Art Site, Krasnoyarsk Territory
Datos Bibliográficos
| ID | 6036769 |
|---|---|
| Autores | Lydia Zotkina (0000-0002-1912-3882, Novosibirsk State University, autor de correspondencia) |
| Año | 2019 |
| Volumen | 47 |
| Número | 2 |
| Páginas | 93-102 |
| Fecha de publicación | 2019-06-26 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Archaeology Ethnology and Anthropology of Eurasia (JOURNAL) |
| Identificadores de la revista | ISSN: 1563-0110 • E-ISSN: 1531-832X |
| Editorial | Institute of Archaeology and Ethnography SB RAS (PUBLISHER) |
| DOI | 10.17746/1563-0110.2019.47.2.093-102 |
| OpenAlex | W2954226633 |
| Idioma | EN |
| Citas recibidas | 9 |
| Referencias citadas | 3 |
This paper addresses the main problems in assessing the stratigraphy of superimpositions in rock art. When a petroglyph is overlain by one or several others, this may provide important information not only about single images but also about entire stylistic traditions. Existing methods used for evaluating the relative chronology of the parts of petroglyphic palimpsests are discussed, and a new approach is proposed, combining high-resolution three-dimensional visualization at the macro-level with traceological analysis. We focus on the characteristics of the pecked surface in the area outside the palimpsest and that in the overlap zone. The comparison of these parts makes it possible to reveal the traceologically informative features in the palimpsest areas, indicating the sequence of superimposed petroglyphs. This approach is instantiated by the analysis of one of the palimpsests in the Shalabolino rock gallery, the Krasnoyarsk Territory. Images representing various stylistic traditions are found in complicated stratigraphic relations. The sequence of three main fi gures (bear, bull, and elk) in this multilayered composition has been reconstructed. The results of the analysis cannot be used as an argument for attributing these petroglyphs to vastly different chronological periods. Rather, they provide new information relevant to the debate around the age of the Angara and Minusinsk petroglyphic styles in the Minusinsk Basin
Archaeology · Argument (complex analysis · Chronology · Focus (optics · Palimpsest · Rock art · Sequence (biology · Structural basin · Tectonics · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · History · Pleistocene-Era Hominins and Archaeology · Geology · Paleontology · Stratigraphy
Geological dating of the earliest Minusinsk Depression rock art, the Maydashy site, Southern Siberia
Análisis de superposiciones en el arte rupestre de Cerro de los Indios 1 (Lago Posadas, Santa Cruz)
Technological parameters of rock art at the Kalgutinsky Rudnik site on the Ukok Plateau, Russian Altai region
What defines the “Minusinsk Style” in the earliest rock art of the Minusinsk Basin, southern Siberia
Boar or bear? Rock art of the Shakhty rock-shelter (Eastern Pamir)
Angara Style Rock Art
Sanctuary with “Kalguty” Style Images in Northwestern Mongolia (Preliminary Data)
Possibilities of Direct Dating of Rock Art in the Khakass-Minusinsk Basin
Tools Used in Tagar Rock Art
| Obras citantes distintas | 9 |
|---|---|
| Citas por año | 1,5 |
| Intervalo de citas | 2020 - 2025 (6) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 8 |