Connecting Things through the Visual Arts
Medieval Crescent Moon Pendants as Horse Ornaments
Datos Bibliográficos
| ID | 6094909 |
|---|---|
| Autores | Immonen (0000-0002-7616-500X, University of the Arts Helsinki, autor de correspondencia), Visa Immonen |
| Año | 2013 |
| Volumen | 46 |
| Número | 2 |
| Páginas | 175-193 |
| Fecha de publicación | 2013-11-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Norwegian Archaeological Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0029-3652 • E-ISSN: 1502-7678 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00293652.2013.836679 |
| OpenAlex | W2045819691 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 25 |
Medieval archaeology as a discipline is usually defined in relation to written sources and history, while other kinds of sources and scholarly traditions studying the same period are overlooked. With a small group of 14th-century crescent moon pendants of bronze from Finland as its focal point, the present article analyses the way in which archaeology connects with the visual arts and the discipline specialized in studying them, art history. Instead of some shared methodology, the inquiry proceeds along the tensions between the material and the visual. After the artefact and its technical qualities are examined in the framework of medieval material culture, the object is reduced, first, to an iconographical motif and, second, into a represented object. Third, the anthropomorphic features applied on the pendant are extracted and considered against the body of medieval grotesque art. This reveals how the visual is also an effective force in the sphere of material culture and human interaction. In the interdisciplinary work between archaeology and art history, the visual and the material emerge as travelling concepts destabilizing traditional approaches and inspiring new insights.Keywords: Art historyiconographyinterdisciplinaritymedieval archaeologypendantsvisuality ACKNOWLEDGEMENTSI would like to thank Dr Elina Räsänen, whose help with medieval paintings has been pivotal, and Jukka Tuominen for his help with revising the language
Aesthetics · Applied arts · Archaeology · Art · Art history · Bronze · Fine art · Medieval art · Middle Ages · Motif (music) · Object (grammar) · Ornaments · Painting · Period (music) · Style (visual arts) · The arts · Visual arts · Conservation Techniques and Studies · Cultural Heritage Materials Analysis · History · Philosophy · Visual Culture and Art Theory
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Archaeology, Theory and the Middle Ages
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The Cambridge Companion to Historical Archaeology
The Secret Middle Ages
The Geoff Egan Memorial Lecture 2011 Artefacts, art and artifice
Archaeology and Art History
Studies in Iconology. Humanistic Themes in the Art of the Renaissance
Amulets in Medieval Sculpture
The Handbook of Visual Analysis
Visual essentialism and the object of visual culture
Visual Studies and the Iconic Turn
The Origin of the Turkish Crescent
The Strength of Loose Concepts - Boundary Concepts, Federative Experimental Strategies and Disciplinary Growth
Suomalaisten Muinaisusko
Lunar Crescents as Amulets in Spain
Archaeological Research on Style
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,09 |
| Intervalo de citas | 2015 - 2015 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |