The poetics and prosaics of making exhibition
A personal reflection on the Centenary Gallery
Datos Bibliográficos
| ID | 6136348 |
|---|---|
| Autores | Nicky Levell (autor de correspondencia) |
| Año | 2001 |
| Volumen | 18 |
| Páginas | 151-194 |
| Fecha de publicación | 2001-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Antropologia Portuguesa (JOURNAL) |
| Identificadores de la revista | ISSN: 0870-0990 • E-ISSN: 2182-7982 |
| Editorial | Coimbra University Press (PUBLISHER • PT) |
| DOI | 10.14195/2182-7982_18_8 |
| OpenAlex | W2460410316 |
| Idioma | EN |
| Citas recibidas | 2 |
By selecting and describing different life-stages in the production of one particular exhibition - the permanent ethnographic displays in the Centenary Gallery of the Homiman Museum, London - this paper examines the dialogical nature of exhibition making. From curatorial conception, through design, to the Museum's corporate modifications, the role of the curator as dominant producer is problematised and the differentiated languages of museum practice are interrogated. Attention is particularly focused on the intersections and interactions between and across these different professional languages which serve to constitute, transform and fix exhibitionary media
Aesthetics · Art · Art gallery · Art history · Dialogical self · Epistemology · Ethnography · Exhibition · Literature · Media studies · Poetics · Poetry · Reflection (computer programming · Sociology · Visual arts · Anthropology · Computer Science · Cultural Heritage Management and Preservation · Cultural Industries and Urban Development · Museums and Cultural Heritage · Philosophy
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 0,15 |
| Intervalo de citas | 2013 - 2019 (7) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 2 |