Musical Instruments and Practices of the Tsonga Beer-Drink
Datos Bibliográficos
| ID | 6138569 |
|---|---|
| Autores | Thomas F Johnston (autor de correspondencia) |
| Año | 1973 |
| Volumen | 8 |
| Número | 1 |
| Páginas | 5-34 |
| Fecha de publicación | 1973-02-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Behavior Science Notes (JOURNAL) |
| Identificadores de la revista | ISSN: 0005-7886 |
| Editorial | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/106939717300800102 |
| OpenAlex | W2042590306 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 5 |
This article examines the musical and social functions of various instru ments found in the context of the Shangana-Tsonga social beer-drink in Mozambique and the Northern Transvaal. In addition to the usual beaten/ blown distinctions (which are primarily etic), important emic distinctions are noted, such as secular/sacred, privately-owned/communally-owned, professionally-playedlnonprofessionally-played, and ensemble-oriented/solo oriented
Archaeology · Art · Context (archaeology · Emic and etic · Musical · Sociology · Visual arts · African history and culture studies · Anthropology · History · Music History and Culture · Psychology · South African History and Culture
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,03 |
| Intervalo de citas | 1993 - 1993 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |