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Totally, Tenderly, Tragically

BS and BB

Datos Bibliográficos

ID6225902
AutoresD Ro (0000-0002-8607-235X, autor de correspondencia), Daniel Ross
Año2017
Volumen44
Número1
Páginas107-123
Fecha de publicación2017-02-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
Revistaboundary 2 (JOURNAL)
Identificadores de la revistaISSN: 0190-3659 • E-ISSN: 1527-2141
EditorialDuke University Press (PUBLISHER • US)
DOI10.1215/01903659-3725893
OpenAlexW2570113308
IdiomaEN
Referencias citadas9

Bernard Stiegler's account of aesthetics is rooted in André Leroi-Gourhan's concept of exteriorization, Gilbert Simondon's concept of individuation, and Edmund Husserl's concepts of retention and protention. Cinema takes up a singular place in this account, both in terms of its resemblance to the structure of consciousness itself, and in terms of its location at the intersection of the technical and the oneiric. Jean-Luc Godard's Contempt is a film through which it is possible to understand not just that cinema functions as an element in an ideological and consumerist system, as Theodor Adorno and Max Horkheimer already argued, but pharmacologically (in Plato's sense). The pharmacological character of Contempt can be demonstrated through its manifold recapitulations of cinematic and literary history, including Alberto Moravia's novel, Homer's Odyssey, and quotations from Friedrich Hölderlin, Bertolt Brecht, Hanns Johst, and Dante, among others. If such an analysis shows that our problem today is less the technicization of the image than its industrialization, then the present and future of this problem lies between the conjoined threats of the televisual and the pornographic

Aesthetics · Art · Art history · Character (mathematics · Consciousness · Contempt · Epistemology · Ideology · Individuation · Literature · Modernism (music · Movie theater · Politics · Psychoanalysis · Digital Media and Philosophy · Law · Philosophy · Psychology · Visual Attention and Saliency Detection

  • Hölderlin's Hymn "The Ister"

    Martin Heidegger•Hölderlin's hymn "The Ister"•1996

  • Technics and Time, 1

    Bernard Stiegler•Technics and Time, 1•1998

  • Selected Writings. Volume 1

    Wolfgang Viereck•English and American Studies in…•2005

  • The End of the Poem

    Giorgio Agamben, Daniel Heller-Roazen•End of the Poem•1999

  • The World Viewed

    George M Wilson, Stanley Cavell•The Philosophical Review•1974

  • The World Viewed. Reflections on the Ontology of Film

    Natalie Harris Bluestone, Stanley Cavell•Modern Language Notes•1972

  • If This is a Man and The Truce

    Open Access•Elizabeth Tonkin, Primo Levi•RAIN•1979

Velocidad de citaciónhistorical
Altamente citadoNo
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