Really Social Disaster
An Examination of Photo Sharing on Twitter During the #SCFlood
Datos Bibliográficos
| ID | 7511682 |
|---|---|
| Autores | Tara Marie Mortensen (0000-0002-4541-1570, autor de correspondencia), Kevin Hull (0000-0001-6461-4069), Kelli S Boling (0000-0003-1236-8761) |
| Año | 2017 |
| Volumen | 24 |
| Número | 4 |
| Páginas | 219-229 |
| Fecha de publicación | 2017-10-02 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Visual Communication Quarterly (JOURNAL) |
| Identificadores de la revista | ISSN: 1555-1393 • E-ISSN: 1555-1407 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/15551393.2017.1388704 |
| OpenAlex | W2780866284 |
| Idioma | EN |
| Citas recibidas | 6 |
| Referencias citadas | 34 |
In the open marketplace of visuals where the most valued photographs “rise to the top” via tweets, likes, and retweets rather than being dictated by professionals, the study of what makes an image go really social is merited. One occurrence during which professional photojournalism and nonprofessional photography truly coexist, intermingle, and blur is that of a natural disaster. A body of research exists that has examined the visual framing of disasters, but none has addressed how these differently framed photos go social online or by whom. In this study, 1,078 Twitter photos shared by professional media outlets and nonprofessional tweeters were examined to see what portrayals of photos are elevated in the network. Established frames and new frames were examined: depictions of people, emotional hierarchy, novelty, victims, ordinary people, uniforms, emergency professionals, valence, pragmatic, human interest, and political. The results add empirical evidence to the different ways that professional members of media and other visual sharers understand, visually communicate, and react to disaster and add to the visual framing literature an element of really social visual framing
Advertising · Art · Framing (construction · Media studies · Natural disaster · Novelty · Photography · Photojournalism · Political science · Public relations · Social media · Sociology · Visual arts · World Wide Web · Climate Change Communication and Perception · Computer Science · Media Studies and Communication · Psychology · Public Relations and Crisis Communication · History · Social Psychology
Firing the imagination? A visual analysis of bushfire preparedness videos from Australian fire agencies, 2015–2022
Managing problematic visual media in natural hazard emergencies
Temporal network analysis of inter-organizational communications on social media during disasters
Tweeting in the midst of disaster
Promoting Concern for Climate Change
Picturing destruction at home and abroad
Visual Persuasion
Seeing Is Remembering
News Framing Theory and Research
Choices, values, and frames
Deviance as a Predictor of Newsworthiness
Picturing a journey of protest or a journey of harmony? Comparing the visual framing of the 2008 Olympic torch relay in the US versus the Chinese press
Media Dependency During a Large-Scale Social Disruption
News Coverage of Social Protests and the Effects of Photographs and Prior Attitudes
Word People vs. Picture People
Textual DNA
Locating The Journalism in Citizen Photojournalism
Valenced news frames and public support for the EU
Journalism's “Last” Stand
Out of the frame
News Structure and People's Awareness of Political Events
Gestures of seeing
Message framing with respect to decisions about vaccination
Photojournalism and today's news
| Obras citantes distintas | 6 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2020 - 2025 (6) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 6 |