Lovesick, The Series
Adapting Japanese ‘Boys Love’ to Thailand and the creation of a new genre of queer media
Datos Bibliográficos
| ID | 7517048 |
|---|---|
| Autores | Thomas Baudinette (0000-0002-4095-5923, Lecturer in Japanese Studies, Department of International Studies, Macquarie University, Sydney, Australia, autor de correspondencia) |
| Año | 2019 |
| Volumen | 27 |
| Número | 2 |
| Páginas | 115-132 |
| Fecha de publicación | 2019-04-03 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | South East Asia Research (JOURNAL) |
| Identificadores de la revista | ISSN: 0967-828X • E-ISSN: 2043-6874 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/0967828x.2019.1627762 |
| OpenAlex | W2953614987 |
| Idioma | EN |
| Citas recibidas | 39 |
| Referencias citadas | 19 |
This article explores the adaptation of Boys Love (BL), a Japanese genre of homoerotic media produced for heterosexual female audiences, to the Thai mediascape through an analysis of Lovesick, The Series (2014). This lakhon represented a watershed moment in representations of queer sexuality in Thai mainstream media, inaugurating a new genre of media known as series wai. Through an investigation of the narrative of the first series of Lovesick, this article shows how the narrative conventions of Japanese BL are ‘glocalized’ to conform to the heteronormative narrative focus of typical lakhon. The article argues that the series’ ‘wavering’ narrative focus between queer and heterosexual romance and its characterization of its male protagonists as stereotypical heterosexual men (phu chai) responds to the need for lakhon to privilege heteronormative romance. But the article also reveals that Lovesick sits within a broader social process whereby Japanese popular culture has come to influence Thai conceptualizations of sexuality. The article thus also shows how the lakhon educates its users into the affective reading practices of Japanese BL fans, introducing queer readings into the Thai mediascape. Overall, the article charts the historical development of a new, affirmative representational queer politics in the Thai mediascape
Art · Human sexuality · Lesbian · Literature · Mainstream · Narrative · Political science · Politics · Privilege (computing · Queer · Romance · Sociology · Asian Culture and Media Studies · Gender Studies · Gender, Feminism, and Media · Law · Media, Gender, and Advertising
“Their skirts are too short!” and “He’s gay!”. Backlashes on Transnational Popular Culture Consumption in BlackPink and Bright’s Case Studies
Beyond reality
Media Representation of Male Protagonists in Thai Boy Love Commercials
Swiping across firewalls
Roundtable
Queering parenthood and family representation in Thai queer cinema from 2010 to 2020
Re‐encountering the familiar other
A New Kind of 2Getherness
Socio-demographics, lifestyles, and consumption frequency of Thai ‘Boys Love’ series content
Empowering Women
I Can See Myself in Them, but They Are Not Me”
A heteropatriarchy in moderation
When ‘us’ becomes ‘them’
The Signifying Tomboy and the Thai TV Series Club Friday To Be Continued
TGCF but lesbian?”
Word of Honor and brand homonationalism with “Chinese characteristics”
Hyperreal homoerotic love in a monarchized military conjuncture
Carnivalesque communities
The “Y” phenomenon
WeTV in Thailand
Between screens and society
Paid to live my own life
Chinese female desire, gaze, and identity construction
Beyond a queer utopia
The contestation of the concept of soft power and the soft power policy for the Boys Love (Yaoi) industry in Thailand
Mobilizing idol celebrity in queer affective advertising
Queer Affective Literacies
Fans speak for whom? Imagined ‘official’, internalised hegemony and self-censorship
Female representation in the Thai boys' love industry
Between Desire and Derision
Wer Viewership and Queer Imag(in)ing
Indian Myth, Korean Wave, and ‘Thainess
Underwater carnival
Inter-Asia referencing and orientalist consideration of the transnational fandom of Thai boys’ love drama in Japan
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan
Brand Nohomonationalism
Reclaiming Youth and Desire
Thai-fusion popular feminism
Direitos civis de pessoas LGBTQIAPN+ em séries BL tailandesas
Recentering Globalization
A Brief History of ShŌnen’ai, Yaoi, and Boys Love
Representational Appropriation and the Autonomy of Desire in Yaoi/BL
An Introduction to “Boys Love” in Japan
Glocalization
Saint Foucault
Male homosexuality in modern Japan
An explosion of Thai identities
Korean-Pop, Tom Gay Kings , Les Queens and the Capitalist Transformation of Sex/Gender Categories in Thailand
Compulsory Heterosexuality and Lesbian Existence
| Obras citantes distintas | 39 |
|---|---|
| Citas por año | 6,5 |
| Intervalo de citas | 2020 - 2026 (7) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 39 |