Historicizing Kwaito
Datos Bibliográficos
| ID | 7529261 |
|---|---|
| Autores | Gavin Steingo (autor de correspondencia) |
| Año | 2008 |
| Volumen | 8 |
| Número | 2 |
| Páginas | 76-91 |
| Fecha de publicación | 2008-11-30 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | African Music Journal of the International Library of African Music (JOURNAL) |
| Identificadores de la revista | ISSN: 0065-4019 • E-ISSN: 2524-2741 |
| Editorial | International Library of African Music (PUBLISHER • ZA) |
| DOI | 10.21504/amj.v8i2.1782 |
| OpenAlex | W4232251137 |
| Idioma | EN |
| Citas recibidas | 2 |
In the standard narrative, kwaito is described as a form of electronic dance music that emerged alongside the democratization of South Africa between Nelson Mandelaâ€TMs release from prison (1990) and the democratic elections of 1994. In most cases, scholars have claimed that kwaito emerged as a direct response to the end of apartheid and the birth of the South African “rainbow nation†. While there is certainly some truth in such a claim, the present essay is an attempt to complicate this rather simplistic and monolithic historical narrative
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 0,4 |
| Intervalo de citas | 2021 - 2025 (5) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 2 |