Idols of Development
Datos Bibliográficos
| ID | 7540596 |
|---|---|
| Autores | Dredge Byung’chu Kang (0000-0001-9958-7793, autor de correspondencia) |
| Año | 2014 |
| Volumen | 1 |
| Número | 4 |
| Páginas | 559-571 |
| Fecha de publicación | 2014-11-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | TSQ Transgender Studies Quarterly (JOURNAL) |
| Identificadores de la revista | ISSN: 2328-9252 • E-ISSN: 2328-9260 |
| Editorial | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/23289252-2815246 |
| OpenAlex | W3124318124 |
| Idioma | EN |
| Citas recibidas | 22 |
| Referencias citadas | 18 |
Inter-Asian cultural flows are transforming everyday Thai gender practices and performances in unexpected ways. The most striking example is the way in which Korean popular music, or K-pop, is molding contemporary beauty and dance aesthetics through cover dance, the copying of choreographed movements from music videos. K-pop cover dance has become a definitive social activity among Asian sissies (young feminine gay men) and is organized into an extensive contest circuit leading to an annual competition in Korea. Thai sissies are among the most enthusiastic and skillful practitioners of K-pop cover dance, and some practitioners, such as the members of the group Wonder Gay, have become national celebrities. I describe how cover dance demarcates a new social arena for feminine Thai males to express themselves through the idiom of modern Korean female embodiment. Semiprofessional cover dancers constitute a class of “hyper-fans” who become “demi-idols,” with fan followings in their own right. I argue that Thai K-pop cover dance can be read as both an aspiration for personal and national development that indexes participation in a new cosmopolitan Asian sphere. The cover dance phenomenon in Thailand highlights recent shifts in Asian regionalism, idol fandom, and transgressive gender performance
Aesthetics · Art · Beauty · Concert dance · Contemporary dance · CONTEST · Dance · Electronic dance music · Media studies · Political science · Sociology · Visual arts · Wonder · Asian Culture and Media Studies · Gender Studies · Migration, Ethnicity, and Economy · Psychology · Social Psychology · Socioeconomic Development in Asia
O Aprendizado Informal Da Dança K-Pop
K-pop boot camps in choreographic co-creative labor
Worldly Power and Local Alterity
Cosmaharaja
Hallyu 2.0 and Social Media in Manipur
“We’re not a team. This is a competition.”
From Global Expansion to Localization
The Value of Transgender
Banning sissy idols to clean up the entertainment industry’
Keeping Condition”
Introduction
Hyperreal homoerotic love in a monarchized military conjuncture
Loving idols
Transitioning Thailand
Conceptual inquiry of K-pop dance as postcolonial educational discourse toward global dance and physical education studies
Indian Myth, Korean Wave, and ‘Thainess
Making faces racial
Queer Eye for K-Pop Fandom
Transnational Identities and Feeling in Fandom
Blackpink queers your area
Queering Masculinities in the Middle East (SWANA) and South Asia
Surfing the Korean Wave
Queer Bangkok
Toms and Dees
Technologies of the Self
Johnny’s Idols as Icons
Travesti
With Respect to Sex
The semiotics of transgendered sexual identity in the Thai print media
Sissies online
Same Bed, Different Dreams
Kathoey “In Trend”
An Epistemology of Collusion
Korean-Pop, Tom Gay Kings , Les Queens and the Capitalist Transformation of Sex/Gender Categories in Thailand
A Comparative Analysis of Hijras and Drag Queens
Travesti
ConceivingKothis
| Obras citantes distintas | 22 |
|---|---|
| Citas por año | 2,44 |
| Intervalo de citas | 2017 - 2026 (10) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 22 |