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Idols of Development

Datos Bibliográficos

ID7540596
AutoresDredge Byung’chu Kang (0000-0001-9958-7793, autor de correspondencia)
Año2014
Volumen1
Número4
Páginas559-571
Fecha de publicación2014-11-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaTSQ Transgender Studies Quarterly (JOURNAL)
Identificadores de la revistaISSN: 2328-9252 • E-ISSN: 2328-9260
EditorialDuke University Press (PUBLISHER • US)
DOI10.1215/23289252-2815246
OpenAlexW3124318124
IdiomaEN
Citas recibidas22
Referencias citadas18

Inter-Asian cultural flows are transforming everyday Thai gender practices and performances in unexpected ways. The most striking example is the way in which Korean popular music, or K-pop, is molding contemporary beauty and dance aesthetics through cover dance, the copying of choreographed movements from music videos. K-pop cover dance has become a definitive social activity among Asian sissies (young feminine gay men) and is organized into an extensive contest circuit leading to an annual competition in Korea. Thai sissies are among the most enthusiastic and skillful practitioners of K-pop cover dance, and some practitioners, such as the members of the group Wonder Gay, have become national celebrities. I describe how cover dance demarcates a new social arena for feminine Thai males to express themselves through the idiom of modern Korean female embodiment. Semiprofessional cover dancers constitute a class of “hyper-fans” who become “demi-idols,” with fan followings in their own right. I argue that Thai K-pop cover dance can be read as both an aspiration for personal and national development that indexes participation in a new cosmopolitan Asian sphere. The cover dance phenomenon in Thailand highlights recent shifts in Asian regionalism, idol fandom, and transgressive gender performance

Aesthetics · Art · Beauty · Concert dance · Contemporary dance · CONTEST · Dance · Electronic dance music · Media studies · Political science · Sociology · Visual arts · Wonder · Asian Culture and Media Studies · Gender Studies · Migration, Ethnicity, and Economy · Psychology · Social Psychology · Socioeconomic Development in Asia

  • O Aprendizado Informal Da Dança K-Pop

    Open Access•Giuliano Souza Andreoli, Braçi Fernandes•Revista da FUNDARTE•2021

  • K-pop boot camps in choreographic co-creative labor

    Open Access•Liew Kai Khiun, Angela Lee•Global Media and China•2020

  • Worldly Power and Local Alterity

    Ara Wilson•Unsettling Queer Anthropology•2024

  • Cosmaharaja

    Open Access•Anna Schultz•Sound Alignments•2021

  • Hallyu 2.0 and Social Media in Manipur

    Open Access•Sylvia Sagolsem•The Digital Popular in India•2024

  • “We’re not a team. This is a competition.”

    Open Access•Joyhanna Jung Yoo•International Journal of the…•2026

  • From Global Expansion to Localization

    Open Access•Joyhanna Yoo, Mie Hiramoto•Signs and Society•2026

  • The Value of Transgender

    B Hegarty•TSQ Transgender Studies Quarterly•2017

  • Banning sissy idols to clean up the entertainment industry’

    Zhongping Lai, M H S Ho•East Asian Journal of Popular…•2024

  • Keeping Condition”

    Open Access•Nattapol Wisuttipat•TRaNS Trans -Regional and…•2023

  • Introduction

    Jamie J Zhao•Feminist Media Studies•2021

  • Hyperreal homoerotic love in a monarchized military conjuncture

    Charlie Yi Zhang, Adam Chen‐dedman•Feminist Media Studies•2021

  • Loving idols

    Open Access•Laura-Zoë Humphreys, Laura‐Zoë Humphreys•International Journal of Cultural…•2021

  • Transitioning Thailand

    Open Access•R Farber•Gender Work and Organization•2023

  • Conceptual inquiry of K-pop dance as postcolonial educational discourse toward global dance and physical education studies

    Hye Youn Park•Educational Philosophy and Theory•2025

  • Indian Myth, Korean Wave, and ‘Thainess

    Open Access•Saranpat Boonhok•TRaNS Trans -Regional and…•2024

  • Making faces racial

    Alexander Edmonds, So Yeon Leem•Ethnic and Racial Studies•2021

  • Queer Eye for K-Pop Fandom

    Open Access•Layoung Shin, Layoung Shin Layoung Shin•Korea Journal•2018

  • Transnational Identities and Feeling in Fandom

    Open Access•Anna Lee Swan•Communication Culture and Critique•2018

  • Blackpink queers your area

    Jamie J Zhao•Feminist Media Studies•2021

  • Queering Masculinities in the Middle East (SWANA) and South Asia

    Open Access•Stanley Thangaraj, Stanley Ilango Thangaraj et al.•Men and Masculinities•2024

  • Surfing the Korean Wave

    Dredge Byung’chu Kang•Visual Anthropology•2018

  • Queer Bangkok

    Peter A Jackson•Queer Bangkok•2011

  • Toms and Dees

    Megan Sinnott, Megan J Sinnott•Toms and Dees•2017

  • Technologies of the Self

    Huck Gutman, LUTHER H MARTIN et al.•Technologies of the Self•2022

  • Johnny’s Idols as Icons

    Open Access•Kazumi Nagaike•Idols and Celebrity in Japanese…•2012

  • Travesti

    Isabel Cristina Buriticá López, D Kulick•Choice Reviews Online•1999

  • With Respect to Sex

    Gayatri Reddy•With Respect to Sex: Negotiating…•2005

  • The semiotics of transgendered sexual identity in the Thai print media

    Megan Sinnott•Culture Health & Sexuality•2000

  • Sissies online

    Dennis C Lin•Inter-Asia Cultural Studies•2006

  • Same Bed, Different Dreams

    Jiemin Bao•positions asia critique•1998

  • Kathoey “In Trend”

    Dredge Byung’chu Kang•Asian Studies Review•2012

  • An Epistemology of Collusion

    Open Access•Aniruddha Dutta•Gender & History•2012

  • Korean-Pop, Tom Gay Kings , Les Queens and the Capitalist Transformation of Sex/Gender Categories in Thailand

    Megan Sinnott•Asian Studies Review•2012

  • A Comparative Analysis of Hijras and Drag Queens

    Sandeep Bakshi•Journal of Homosexuality•2004

  • Travesti

    D Kulick•Travesti•1998

  • ConceivingKothis

    Paul Boyce•Medical Anthropology•2007

Obras citantes distintas22
Citas por año2,44
Intervalo de citas2017 - 2026 (10)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 22
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