The Past is Never Past
The Call and Response between Marvel's Black Panther and Early Black Speculative Fiction
Datos Bibliográficos
| ID | 7554367 |
|---|---|
| Autores | Valerie Babb (autor de correspondencia) |
| Año | 2020 |
| Volumen | 53 |
| Número | 2 |
| Páginas | 95-109 |
| Fecha de publicación | 2020-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | African American Review (JOURNAL) |
| Identificadores de la revista | ISSN: 1062-4783 • E-ISSN: 1945-6182 |
| Editorial | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/afa.2020.0015 |
| OpenAlex | W3035874969 |
| Idioma | EN |
| Citas recibidas | 3 |
Many reviews of the film Black Panther (2018) source its popularity to its Afrofuturism. Contemporary ardency might also stem from the movie's resonance with past ideas, as well. Black Panther engages long‐established Afrofuturist themes and owes a debt to the nineteenth- and turn‐of‐the‐twentieth‐century black speculative fiction of Martin R. Delany's Blake; or, The Huts of America (1859‐62), John Edward Bruce's The Black Sleuth (1907‐09), Pauline Hopkins's Of One Blood. Or, The Hidden Self (1901‐03). The movie illuminates a continuum between past and present ideas of homeland, diaspora, and racial identities
Art · Art history · Diaspora · Homeland · Literature · Popularity · Sociology · Comics and Graphic Narratives · Gender Studies · Gothic Literature and Media Analysis · History · Utopian, Dystopian, and Speculative Fiction
| Obras citantes distintas | 3 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2023 - 2024 (2) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |