After the love has gone
Bio‐politics and etho‐poetics in the black public sphere
Datos Bibliográficos
| ID | 8070097 |
|---|---|
| Autores | Paul Gilroy (autor de correspondencia) |
| Año | 1994 |
| Volumen | 8 |
| Número | 28-29 |
| Páginas | 25-46 |
| Fecha de publicación | 1994-09-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Third Text (JOURNAL) |
| Identificadores de la revista | ISSN: 0952-8822 • E-ISSN: 1475-5297 |
| Editorial | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/09528829408576500 |
| OpenAlex | W2039109346 |
| Idioma | EN |
| Citas recibidas | 8 |
| Referencias citadas | 8 |
Aesthetics · Art · Literature · Poetics · Poetry · Political science · Politics · Public sphere · Sociology · Music History and Culture · Philosophy, Ethics, and Existentialism · Posthumanist Ethics and Activism · Law
Gênero continua a ser o campo de batalhas
The Oxford Handbook of Dance and the Popular Screen
Freedom to Struggle
Material Objects as Sites of Critical Re-memorying and Imaginative “Knowing”
Performing Visibility
We’re just like everyone else!’ Rethinking the cultural politics of the London Asian urban music scene
Black is beautiful’, and Indigenous
O Sampleamento Como Forma De Experimentalismo Marginal
| Obras citantes distintas | 8 |
|---|---|
| Citas por año | 0,42 |
| Intervalo de citas | 2007 - 2025 (19) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 7 |