The Kantian Sublime
From Morality to Art
Datos Bibliográficos
| ID | 8080263 |
|---|---|
| Autores | Eva Schaper (autor de correspondencia) |
| Año | 1991 |
| Volumen | 32 |
| Número | 2 |
| Páginas | 85-86 |
| Fecha de publicación | 1991-04-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Philosophical Books (JOURNAL) |
| Identificadores de la revista | ISSN: 0031-8051 • E-ISSN: 1468-0149 |
| Editorial | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1468-0149.1991.tb02239.x |
| OpenAlex | W1505449353 |
| Idioma | EN |
| Citas recibidas | 13 |
Aesthetics · Citation · Epistemology · Library science · Morality · Sublime · Computer Science · Epistemology, Ethics, and Metaphysics · Philosophical Ethics and Theory · Philosophy and Theoretical Science · Philosophy
Kant’s Mathematical Sublime
Kant’s Mathematical Sublime and the Role of the Infinite
Kant’s Deduction of the Sublime
Schopenhauer's Transformation of the Kantian Sublime
Kant and Burke’s Sublime in Werner Herzog’s Films
The Holocaust Sublime
Rethinking ‘big data’ as visual knowledge
Star Wars
Beyond environmental imagination
Shades of Complaint
Towards a Kantian Moral Psychology or the Practical Effects of Self-Predicating Judgements of Sublimity
Furniture Music, Hotel Lobbies, and Banality
Landscapes of deliquescence in Michelangelo Antonioni's Red Desert
| Obras citantes distintas | 13 |
|---|---|
| Citas por año | 0,57 |
| Intervalo de citas | 2003 - 2024 (22) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 10 |