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The Animal Apparatus

From a Theory of Animal Acting to an Ethics of Animal Acts

Datos Bibliográficos

ID8102285
AutoresMichael Peterson (0000-0002-5002-1294, Michael Peterson is Assistant Professor of Theatre and Drama at the University of Wisconsin—Madison, teaching courses in dramatic literature, performance studies, popular performance, and sexual politics. He is the author of Straight White Male (Mississippi University Press, 1997), a critique of identity privilege in monologue performance art. He is currently completing a book-length project on Las Vegas culture.), Michael R Peterson (0000-0002-4524-6819, autor de correspondencia)
Año2007
Volumen51
Número1
Páginas33-48
Fecha de publicación2007-02-22
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaTDR/The Drama Review (JOURNAL)
Identificadores de la revistaISSN: 1054-2043 • E-ISSN: 1531-4715
EditorialMIT Press - Journals (PUBLISHER)
DOI10.1162/dram.2007.51.1.33
OpenAlexW2153444436
IdiomaEN
Citas recibidas10
Referencias citadas4

The methods by which animal performance is made legible to audiences depend upon a historically contingent set of material practices and social relationships among humans and animals: an “animal apparatus” that is distinctly “middle-brow” and implicated in constructions of bourgeois subjectivity. However, the fleshly presence of the animal also routinely causes it to exceed this order of signification, offering a site for an ethics of resistance to anthropogenic ideologies

Aesthetics · Animal ethics · Animal welfare · Biology · Bourgeoisie · Environmental ethics · Epistemology · Ideology · Political science · Politics · Sociology · Subjectivity · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · Posthumanist Ethics and Activism · Ecology · Law · Philosophy

  • Against the Image

    Patrick Sheehan, Paul Sheehan•SubStance•2008

  • Animals in Restoration Theatre, 1660–1710

    Riki Miyoshi•Restoration and Eighteenth-Century…•2023

  • Solo ośmiornicy, duet aktorki z koniem

    Open Access•Dorota Semenowicz•Pamiętnik Teatralny•2025

  • Playing with Horses

    Open Access•Kimber Sider•TDR/The Drama Review•2021

  • There Is No Wild”

    Jessica Bell•Society and Animals•2015

  • Is it gonna be fun?”

    Katherine Altizer•Society and Animals•2021

  • Go Panda Go

    Open Access•Tracy Ying Zhang, Chikako Nagayama•Humanimalia•2025

  • Be More Dog

    Julia Włodarczyk, Justyna Włodarczyk•Performance Research•2017

  • Beyond resistance

    Open Access•Christopher Bear, Lewis Holloway•Geoforum•2019

  • BeastEnders

    Open Access•Brett Mills•Critical Studies in Television…•2025

  • Animals and the Concept of Dignity

    Suzanne Laba Cataldi•Ethics & the Environment•2002

  • Rabbits, Machines, and the Ontology of Performance

    Aleksandra Wolska•Theatre Journal•2005

Obras citantes distintas10
Citas por año0,56
Intervalo de citas2008 - 2025 (18)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 9
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