Studies on the Origin of Harmonic Tonality
Datos Bibliográficos
| ID | 8106751 |
|---|---|
| Autores | Carl Dahlhaus (autor de correspondencia), Robert O Gjerdingen |
| Año | 1990 |
| Páginas | 406 |
| Fecha de publicación | 1990-12-31 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Studies on the Origin of Harmonic Tonality (SOURCE_BOOK) |
| Editorial | Princeton University Press (PUBLISHER • US) |
| DOI | 10.1515/9781400861316 |
| OpenAlex | W4297984437 |
| Open Library | OL29235767M |
| ISBN | 9781400861316 |
| Idioma | EN |
| Citas recibidas | 21 |
Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in the late Middle Ages and Renaissance. Numerous quotations from theoretical treatises document how early music was driven forward not by progressions of chords but by simple progressions of intervals. Exactly when did composers transform intervallic composition into chordal composition? Modality into tonality? Dahlhaus provides extensive analyses of motets by Josquin, frottole by Cara and Tromboncino, and madrigals by Monteverdi to demonstrate how, and to what degree, such questions can be answered. In his bold speculations, in his magisterial summaries, in his command of eight centuries of music and writings on music, and in his deep understanding of European history and culture, Carl Dahlhaus sets a standard that will seldom be equalled. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
Acoustics · Art · Harmonic · Literature · Physics · Tonality · Diverse Musicological Studies · Mathematics · Music Technology and Sound Studies · Musicology and Musical Analysis · Harmonic functions
On the connection of musico-rhetorical strategies and Marian topic/topos in renaissance motets
The perception of tension in harmonic intervals across Indian and Western listeners
Testing a spectral model of tonal affinity with microtonal melodies and inharmonic spectra
Mechanisms of absolute pitch
The missing fundamentals of harmonic theory
Acordes e desacordos
Sequences
Conditional Asymmetry and Spontaneous Asymmetry of Harmonic Progressions
Body, Forces, and Paths
The French Path
Relação e sistema
Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2
Chromatically Altered Diminished‐Seventh Chords
R eading B erg
V ariation as T hematic A ctualisation
Vetores harmônicos
Feedback and Feedforward Models of Musical Key
Schematic Deformation
The Concept of Mutability in Russian Theory
The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference
Monteverdi'sEarlySeventeenth-Century'HarmonicProgressions
| Obras citantes distintas | 21 |
|---|---|
| Citas por año | 0,84 |
| Intervalo de citas | 2001 - 2025 (25) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 21 |