Noise in G uangzhou
The cultural politics of underground popular music in contemporary G uangzhou
Datos Bibliográficos
| ID | 8360269 |
|---|---|
| Autores | Chen Liu (0000-0001-6563-7975, Royal Holloway University of London, autor de correspondencia) |
| Año | 2014 |
| Volumen | 46 |
| Número | 3 |
| Páginas | 228-234 |
| Fecha de publicación | 2014-09-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Area (JOURNAL) |
| Identificadores de la revista | ISSN: 0004-0894 • E-ISSN: 1475-4762 |
| Editorial | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/area.12102 |
| OpenAlex | W2121885865 |
| Idioma | EN |
| Citas recibidas | 7 |
| Referencias citadas | 28 |
Popular music in G uangzhou can be considered as a noise that applies social and political power to challenge the mainstream aesthetics and ideologies, rather than a low culture that lacks aesthetics. The main purpose of this article is to examine the cultural politics of underground popular music in contemporary G uangzhou, drawing on the analysis of its lyrical and sonic meanings through three genres: campus rock/pop, C anton‐rock and urban folk songs. Different types of underground popular music in G uangzhou engender different spaces/places through the lyrical and sonic power, and map out the non‐commercial popular music in south C hina. These findings not only respond to the previous music geographical studies on lyrics and sounds/voices, but also extend the research areas of C hinese popular music
Aesthetics · Art · Ideology · Literature · Lyrics · Mainstream · Media studies · Political science · Politics · Popular culture · Popular music · Power (physics) · Rock music · Sociology · Visual arts · Chinese history and philosophy · Hong Kong and Taiwan Politics · Law · Music History and Culture
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| Obras citantes distintas | 7 |
|---|---|
| Citas por año | 0,78 |
| Intervalo de citas | 2017 - 2023 (7) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 7 |