Beyond the frame, beyond critique
Reframing place through more‐than visual participant‐photography
Datos Bibliográficos
| ID | 8360809 |
|---|---|
| Autores | D Kelly (0000-0002-0285-2739, MIT University, autor de correspondencia) |
| Año | 2021 |
| Volumen | 53 |
| Número | 2 |
| Páginas | 229-239 |
| Fecha de publicación | 2021-06-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Area (JOURNAL) |
| Identificadores de la revista | ISSN: 0004-0894 • E-ISSN: 1475-4762 |
| Editorial | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/area.12611 |
| OpenAlex | W3003727172 |
| Idioma | EN |
| Citas recibidas | 7 |
| Referencias citadas | 40 |
There is an abundance of critique in tourism studies, human geography, and the social sciences that takes tourism‐driven depictions of place as its object. Indeed, the problematics of touristic imaginaries tend to fix, obscure, and exclude object‐subjects that more‐or‐less sit familiarly within/out frames of representation. Beyond the frame, beyond critique, there are practices that are less observed – practices that radically challenge the potency of ubiquitous “good life” narratives. This paper draws on visual ethnographic research methods in a frequently photographed but narrowly experienced place. Broome, in the remote Kimberley region of Australia, is an idyllic small urban town with a large tourism economy and operates as a service hub for extractive resource industries inland and offshore. Through the use of picture postcards and participant‐driven photography, this paper presents a narrative of “the beach” that demonstrates the fragility of normative “good life” tropes. By amplifying practices of inhabiting the beach that exceed representational critique and stimulate other ways of authoring place, this paper looks for an activism that resists settling on colonial ways of knowing place
Aesthetics · Archaeology · Art · Cognitive reframing · Ethnography · Literature · Media studies · Narrative · Object (grammar) · Participant observation · Photography · Social science · Sociology · Tourism · Visual arts · Anthropology · Computer Science · Diverse Aspects of Tourism Research · Geographies of human-animal interactions · History · Museums and Cultural Heritage · Psychology · Social Psychology
Marxism and literature
The White Possessive
Thought in the Act
Maps of Meaning
Cruel Optimism
Tourist Gaze
Great Expectations
The Tourist Gaze 3.0
Participatory Action Research Approaches and Methods
Mediating affect in John Pilger’s Utopia
The Promise of Happiness
Bodies That Matter
Pockets
How does it feel
Amplifying Indigenous community participation in place-based research through boundary work
Indigenous geographies III
Postcards as affective image makers
Territory beyond terra
Learning about Feminism in Digital Spaces
Participatory video in geographic research
Photo‐response
Using Photographs as Illustrations in Human Geography
Going public? Re‐thinking visibility, ethics and recognition through participatory research praxis
Apprehending felt futures in Broome, Australia
Affective energies
Encountering Affect
Thinking with images in non‐representational cities
Social geography
Co-becoming Bawaka
Picturing practices
Felt Theory
The more-than-visual experiences of tourism
Postcards and Frontier Mythologies
Being together in place
Taking it to the Street
The Long Reach of the Riots
Between concept and context
| Obras citantes distintas | 7 |
|---|---|
| Citas por año | 1,4 |
| Intervalo de citas | 2021 - 2024 (4) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 7 |