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Had I Died, It Would Have Been Self-Destruction”

Indulged Sensibility and Retaliatory Illness in Austen’s Sense and Sensibility

Datos Bibliográficos

ID8865679
AutoresJane Shmidt (Comparative Literature, The City University of New York, New York, NY, USA, autor de correspondencia)
Año2019
Volumen100
Número4
Páginas422-437
Fecha de publicación2019-05-19
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaEnglish Studies (JOURNAL)
Identificadores de la revistaISSN: 0013-838X • E-ISSN: 1744-4217
EditorialRoutledge (PUBLISHER • GB)
DOI10.1080/0013838x.2019.1595899
OpenAlexW2955715702
IdiomaEN
Citas recibidas1
Referencias citadas18

Scholars agree that Jane Austen’s Sense and Sensibility mocks the cult of sensibility and denounces its excess romanticized by the sentimental novel, yet the stumbling block to this interpretation is that Marianne’s claim to sensibility is corroborated when her unfulfilled love manifests in a near-death affliction. The present article examines the role of the heroine’s feelings in her ailment and its significance for the novel’s depiction of the concurrent socio-medical ideology. Unlike her lovesick antecedents whose genuine heightened responsiveness to distressing events produces unwelcome somatic disorder, Marianne cultivates her sensibility, nourishing her disappointment and humiliation, until bodily illness ensues. That is, Austen’s text does not present Marianne merely as a victim of a constitutional predisposition but instead suggests that sensibility could be mitigated or fostered to serve her purposes. The heroine indulges the malady to negotiate her position in the Georgian era society that excludes her from ritualistic disputes associated with betrayal and wounded honour, creating a context for romantic conflict that is otherwise denied her. Marianne’s lovesickness functions as a prolonged psychological duel, a suicide fantasy through which she punishes the duplicitous beloved and the society that inculcates the restrictions to the woman's role in romantic relationships

Aesthetics · Art · Betrayal · Context (archaeology · Depiction · Disappointment · Feeling · Honour · Humiliation · Literature · Psychoanalysis · Sensibility · Sociology · Uncanny · Gothic Literature and Media Analysis · Literature Analysis and Criticism · Literature: history, themes, analysis · Psychology · History · Philosophy · Social Psychology

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Obras citantes distintas1
Citas por año1
Intervalo de citas2025 - 2025 (1)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 1
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