From Story to Film

This essay examines the different ways in which Annie Proulx, in her story “Brokeback Mountain,” scriptwriters Larry McMurtry and Diana Ossana, and Ang Lee in his film address the central tensions between desire and social conditioning through a re-exploration of the western genre. Using the concept of ”in-between space,” the article shows how the ”text” (i.e., story/film) is the product of many hands each bringing certain knowledge and approaches to the material and extending outward into new, challenging areas of work. From this mixing of authors there emerges a powerful, tragic story that reveals much about the social conformity of the West embedded in masculinity, patriarchy, and domesticity. This social pressure is examined through the contrasting ”textual” use of space, panopticism, and a constraining sense of family set against the powers of nature, love, and memory

Aesthetics · Art · Conformity · Linguistics · Literature · Masculinity · Patriarchy · Product (mathematics · Set (abstract data type · Sociology · Space (punctuation) · American and British Literature Analysis · Computer Science · Gender Studies · History · Literature, Film, and Journalism Analysis · Philosophy · Poetry Analysis and Criticism · Psychology · Social Psychology

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  Rita D Jacobs, Annie Proulx•World Literature Today•2000

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