Dancing in a Hurricane

State and Public Responses to Hurricane Gilbert in Jamaica

Datos Bibliográficos

ID8901094
AutoresVictoria Carpenter (0000-0003-3880-6555, autor de correspondencia)
Año2022
Volumen68
Número1
Páginas44-66
Fecha de publicación2022-01-02
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaCaribbean Quarterly (JOURNAL)
Identificadores de la revistaISSN: 0008-6495 • E-ISSN: 2470-6302
EditorialTaylor & Francis (PUBLISHER • GB)
DOI10.1080/00086495.2022.2037242
OpenAlexW4214544831
IdiomaEN
Referencias citadas8

Different cultural strata respond differently to a natural disaster threatening – or destroying – their livelihood; because of these responses, certain patterns become associated (justly or not) with the respective strata. In the wake of Hurricane Gilbert hitting Jamaica in 1988 and causing widespread destruction, several response patterns emerged from the state/government sector and general public. Responses varied from fear and despair to pride and humour; these responses were associated with a particular knowledge archive of the hurricane and its emotional effect on the island’s population and infrastructure. \nThis study examines how hurricane Gilbert was described in the state and public discourses. We will begin with the statements by the government officials and newspaper coverage of the effects the hurricane had on the island immediately after the landfall and within the first three months of the aftermath. We will then proceed to the analysis of two songs written shortly after the hurricane – “Wild Gilbert” by Lloyd Lovindeer and “Gilbert Attack Us” by Bananaman – with the aim to determine whether the way these songs depict Gilbert is similar to that presented in the state discourse or whether there are significant variations between the two. We will focus in particular on the relationship between the knowledge archive of Gilbert hitting Jamaica and the emotions associated with it

Genealogy · Geography · History · Race, History, and American Society