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The Rhetoric of Cinematic Improvisation

Datos Bibliográficos

ID8905112
AutoresVirginia Wright Wexman (autor de correspondencia)
Año1980
Volumen20
Número1
Páginas29-29
Fecha de publicación1980-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaCinema Journal (JOURNAL)
Identificadores de la revistaISSN: 0009-7101 • E-ISSN: 1527-2087
EditorialJSTOR (PUBLISHER)
DOI10.2307/1224969
OpenAlexW2319939763
IdiomaEN
Citas recibidas2

Considering the importance of improvisation for many moder filmmakers, it is surprising that the technique has received so little critical attention. In part this is due to the lack of interest among serious critics in film acting: elements of mise-en-scene, montage, and camera technique have historically occupied a central position in discussions of film artistry. Yet the contributions of actors are also an important part of cinema, now more than ever before when the collaboration of actors, writers and directors has been emphasized by recent films that stress improvisation. What the directors who work in collaboration with actors seem to be striving for is the sense of discovery that comes from the unexpected and unpredictable in human behavior. If we think of art as a means of giving form to life, improvisation can be looked at as one way of adding to our sense of the liveliness of art, a means of avoiding the sterility that results from rote recitations of

Aesthetics · Art · Humanities · Improvisation · Rhetoric · Theology · Visual arts · Art, Politics, and Modernism · Artistic and Creative Research · Cinema and Media Studies · Philosophy

  • Guys Being Dudes

    Faith Boyte•Quarterly Review of Film Studies•2025

  • Improvisation in the Arts

    Open Access•Aili Bresnahan•Philosophy Compass•2015

Obras citantes distintas2
Citas por año0,18
Intervalo de citas2015 - 2025 (11)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 2
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