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Pleasure, Ambivalence, Identification

Valentino and Female Spectatorship

Datos Bibliográficos

ID8905342
AutoresMiriam Hansen (0000-0003-1290-7630, autor de correspondencia)
Año1986
Volumen25
Número4
Páginas6-6
Fecha de publicación1986-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaCinema Journal (JOURNAL)
Identificadores de la revistaISSN: 0009-7101 • E-ISSN: 1527-2087
EditorialJSTOR (PUBLISHER)
DOI10.2307/1225080
OpenAlexW2895963564
IdiomaEN
Citas recibidas33

masculinization' of the spectator position, regardless of the actual sex (or possible deviance) of any real live movie-goer."6Besides its somewhat monolithic notion of classical cinema and provocatively Manichean stance on visual pleasure, Mulvey's argument has been criticized frequently for the difficulty of conceptualizing a female spectator other than in terms of an absence.7In the decade since Mulvey's essay was published, however, feminist critics have attempted to rescue female spectatorship from its "locus of impossibility," in particular in areas elided by the focus on women's systematic Cinema Journal 25, No. 4, Summer 1986 7

Aesthetics · Ambivalence · Art · Humanities · Identification (biology · Pleasure · Psychoanalysis · Psychotherapist · Cinema and Media Studies · Psychology

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Obras citantes distintas33
Citas por año0,89
Intervalo de citas1989 - 2025 (37)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 32
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