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The ABCs of Conceptual Writing

Datos Bibliográficos

ID8910048
AutoresJacquelyn Ardam (University of California, Los Angeles, autor de correspondencia)
Año2014
Volumen51
Número1
Páginas132-158
Fecha de publicación2014-04-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaComparative Literature Studies (JOURNAL)
Identificadores de la revistaISSN: 0010-4132 • E-ISSN: 1528-4212
EditorialThe Pennsylvania State University Press (PUBLISHER)
DOI10.5325/complitstudies.51.1.0132
OpenAlexW138888527
IdiomaEN
Citas recibidas3
Referencias citadas9

This article considers the central role of the alphabetic sequence in the conceptual writing movement, which has emerged as the dominant avant-garde in poetry in the past decade. By looking at alphabetic conceptual works through a formal lens, it argues that conceptual writing has more in common with its textual forbears than its practitioners would often like to admit. Instead of seeking precursors to conceptual writing in conceptual visual art, it considers conceptual written works alongside other alphabetic texts, such as abecedarian poetry and reference texts, to provide a new context for approaching conceptual writing formally. By focusing in particular on Kenneth Goldsmith's No. 111 2.7.93–10.20.96, the article argues that close reading conceptual work is not just possible, but essential, and that studying form allows us not just to see conceptual procedure in action, but also the ways in which rules-based texts formally exceed their constraints and thus destabilize their conceptual frameworks. The article ultimately suggests that the alphabetic structure is the epitomic form of a movement that would like to deny form's centrality to its goals, and that alphabetization—a seemingly rote and rigid procedure—unexpectedly reveals the formal possibilities of conceptual writing

Action (physics · Conceptual framework · Conceptual history · Conceptual metaphor · Context (archaeology · Epistemology · Linguistics · Metaphor · Poetry · Politics · Reading (process · Sociology · Computer Science · French Literature and Poetry · History · Philosophy · Poetry Analysis and Criticism · Visual Culture and Art Theory

  • Beyond OralDigital

    Kwabena Opoku-Agyemang•2017

  • Nordic and Baltic Perspectives in Canadian Studies

    Open Access•Sara Bédard-Goulet, Christophe Premat•Nordic and Baltic Perspectives in…•2023

  • “Coat and Uncoat!”

    Open Access•Kwabena Opoku-Agyemang•Legon Journal of the Humanities•2023

  • Textbook Uncreative Writing

    Brian M Reed•American book review/ The…•2011

  • Re-thinking "Non-retinal Literature"

    Open Access•Judith Goldman•Postmodern Culture•2011

  • Presentism and Periodization in Language Writing, Conceptual Art, and Conceptual Writing

    Barrett Watten•Journal of Narrative Theory•2011

  • The Story of A

    Tamara Plakins Thornton, Patricia Crain•Journal of the Early Republic•2001

  • Encyclopedic Narrative

    Edward Mendelson•Modern Language Notes•1976

  • Understanding media

    Marshall Mcluhan, Marshal McLuhan•Understanding media•1994

  • Oulipo

    B Mch, Warren Motte et al.•Poetics Today•1987

  • Surface Reading

    Stephen Best, Sharon Marcu et al.•Representations•2009

Obras citantes distintas3
Citas por año0,33
Intervalo de citas2017 - 2023 (7)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 2
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