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Toward Abstraction

The Vicinal's Tramp

Datos Bibliográficos

ID8917913
AutoresMichael Kirby (0000-0002-4791-3582)
Año1972
Volumen16
Número4
Páginas100-109
Fecha de publicación1972-12-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaThe Drama Review TDR (JOURNAL)
Identificadores de la revistaISSN: 0012-5962 • E-ISSN: 2326-2060
EditorialThe MIT Press (PUBLISHER • US)
DOI10.2307/1144757
OpenAlexW2795839380
IdiomaEN

Tramp, one of the recent productions of the Théâtre Laboratoire Vicinal of Brussels, clearly exemplifies the main concern of the group: a tendency toward abstraction embodied in a nonexplicit use of language/sound and an emphasis on objects and the physicality of the actor. Although related to the work of Grotowski in the austere “poverty” of its means and its attempt to exploit as fully as possible the physical presence of the performer, Tramp is quite different in its approach to literary content. While story and character have provided a core or focus for Grotowski's Polish Laboratory Theatre presentations, the Vicinal has abandoned these elements almost totally. According to Frédéric Flamand, the director of Tramp and an actor in it, “the strength and magic of the play come from the concentration into a unified energy of almost-abstract scenic moments ....”

Abstraction · Aesthetics · Art · Character (mathematics · Computer security · Embodied cognition · Epistemology · Exploit · MAGIC (telescope · Performing arts · Physics · Silence · Sociology · Tramp · Vicinal · Visual arts · Chemistry · Computer Science · Italian Fascism and Post-war Society · Mathematics · Philosophy · Psychology

Velocidad de citaciónhistorical
Altamente citadoNo
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