The Rituals of Walking and Flying
Public Participatory Events at Actor's Lab
Datos Bibliográficos
| ID | 8918169 |
|---|---|
| Autores | Ron Grimes (Wilfrid Laurier University, autor de correspondencia) |
| Año | 1978 |
| Volumen | 22 |
| Número | 4 |
| Páginas | 77-82 |
| Fecha de publicación | 1978-12-01 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | The Drama Review TDR (JOURNAL) |
| Identificadores de la revista | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Editorial | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/3181727 |
| OpenAlex | W2797300087 |
| Idioma | EN |
| Citas recibidas | 1 |
I am in a state of culture shock. When this way of naming my state occurred to me, I thought it metaphoric. Now I do not. I have decided that the Public Participatory Event (PPE) was a nascent community, a subculture appearing as an event. An event is more ephemeral than the network of structures we call a “culture,” but the event I concluded a few days ago leaves me more a stranger at home and work than I felt the first day I stepped foot in either. I have no choice but to reconceive the assumption which I have carried to much of my scholarly work in religious studies and anthropology, namely, that culture is a configuration largely of language, thought, and art. I am certain now that culture also resides quite literally in the bones; that is, in our patterns of moving, breathing, walking and so on
Aesthetics · Art · Citizen journalism · Ephemeral key · Event (particle physics · Media studies · Political science · Sociology · State (computer science · Subculture (biology · Visual arts · Work (physics · Artistic and Creative Research · Computer Science · Engineering · History · Law
| Citas por año | 0,02 |
|---|---|
| Intervalo de citas | 1985 - 1985 (1) |
| Altamente citado | No |