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Neither Hero nor Myth

Woody Guthrie's Contribution to Folk Art

Datos Bibliográficos

ID8934082
AutoresEdwin Cohen (0000-0002-9782-0720, autor de correspondencia)
Año1980
Volumen91
Número1
Páginas11-14
Fecha de publicación1980-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaFolklore (JOURNAL)
Identificadores de la revistaISSN: 0015-587X • E-ISSN: 1469-8315
EditorialRoutledge (PUBLISHER • GB)
DOI10.1080/0015587x.1980.9716151
OpenAlexW2041836621
IdiomaEN
Referencias citadas2

Besides contributing nothing to a fuller understanding of folk music as an art form, it is also responsible for the tasteless mythmaking that plagues the memory of folk music's towering figures, especially Woody Guthrie. Everyone is eager to talk about Guthrie the man, the son, the father, the rambler; almost no one discusses Guthrie the artist, which, obviously, will be the basis for determining Guthrie's essential contribution to folk music... The social and political conditions of time and place may be essential to an intelligent understanding of some folksongs. For others it is irrelevant. To know that Guthrie was able to make songs out of the suffering of the Depression is most relevant; to know that he picked tomatoes is irrelevant

Art · Folklore · HERO · Literature · Mythology · Education Methods and Practices · Music History and Culture · Poetry Analysis and Criticism

  • Hard-Hitting Songs for Hard-Hit People

    D K Wilgus, Alan Lomax et al.•Western Folklore•1969

  • The Oxford History of the American People

    Richard H Dillon, Samuel Eliot Morison•Western Folklore•1966

Velocidad de citaciónhistorical
Altamente citadoNo

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