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I Cannot Find the Hanged Man

Tarot Cards in Fantastic Fiction

Datos Bibliográficos

ID8934147
AutoresJuliette Wood (autor de correspondencia)
Año2021
Volumen132
Número3
Páginas229-245
Fecha de publicación2021-07-03
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaFolklore (JOURNAL)
Identificadores de la revistaISSN: 0015-587X • E-ISSN: 1469-8315
EditorialRoutledge (PUBLISHER • GB)
DOI10.1080/0015587x.2021.1952708
OpenAlexW3199162293
IdiomaEN
Referencias citadas10

In 1909, the occult publishing firm Rider and Son issued a pack of Tarot cards created by the artist Pamela Coleman Smith and the writer Arthur Edward Waite, both members of The Hermetic Order of the Golden Dawn. This new Tarot linked a divination device that originated in the eighteenth century with current esoteric ideas. T. S. Eliot’s use of the cards in The Waste Land fixed the image of Tarot as the embodiment of a mystical quest, and, as the most available Tarot in the twentieth century, the Rider Pack provided an enduring set of images and meanings for Tarot mythology, which continues to influence speculative fiction and to create new interactive storytelling memes through Tarot readings

Art · Art history · Divination · Literature · Mysticism · Mythology · Narrative · Order (exchange · Storytelling · Folklore, Mythology, and Literature Studies · Religious Studies and Spiritual Practices · Themes in Literature Analysis

  • The Place of Enchantment

    Alex Owen•Place of Enchantment•2004

  • "And I Myself Created Hanrahan"

    Edward Hirsch•ELH•1981

  • The Celtic Tarot and the Secret Tradition

    Juliette Wood•Folklore•1998

  • The Holy Grail

    Juliette Wood•Folklore•2000

  • Folklore Studies at the Celtic Dawn

    Juliette Wood•Folklore•1999

  • Ireland's Immortals

    Open Access•Mark Williams•Ireland's Immortals•2016

Velocidad de citaciónhistorical
Altamente citadoNo
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