Animals in African Art
From the Familiar to the Marvelous
Datos Bibliográficos
| ID | 9023019 |
|---|---|
| Autores | Martha G Anderson, Allen F Roberts (0000-0001-9024-1542) |
| Año | 1996 |
| Volumen | 29 |
| Número | 4 |
| Páginas | 10 |
| Fecha de publicación | 1996-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | African Arts (JOURNAL) |
| Identificadores de la revista | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/3337388 |
| OpenAlex | W1998108813 |
| Idioma | EN |
| Citas recibidas | 13 |
Animal images are so common in African art, and their meanings and purposes assumed to be so obvious, that they are taken for granted. Indeed, Animals in African Art is the first major book wholly dedicated to the subject. Once the animals in African art are looked at more closely, important questions arise. Why is it that from the astounding diversity of life-forms in Africa, so very few animals are chosen as subjects of visual and performative arts? Why are the animals that do appear repeatedly in African art so often so downright peculiar - even preposterous? And why do zoomorphic masks, figures, and other objects almost always refer to being and purpose? In other words, why and how are animals such a useful, if purposefully distorting mirror of humanity? What does it mean to become a hyena or an eland by donning a mask or entering a trance? Indeed, what does it mean to be human or animal, in the first place? Answers to such questions are by no means as readily forthcoming as one might assume. To understand why and how some animals are so to think (as well as good to eat) requires wending one's way along the sinuous paths of African logics. Emphasis is placed on the plural of this last word, for African systems of thought differ from one ethnic group to another, and often within each culture, from one interpreter to another. Different sense is also attributed to a given animal symbol by the same people through the course of time. There is certainly no easy explanation of why animals like snakes and penguins appear over and over again in the art of many peoples across the African continent, while others like rhinos, zebras, and giraffes rarely if ever do. Animals in African Art is a celebration of African cultural diversity, then, as well as the brilliance with which ideas are given form through plastic and performative arts
Aesthetics · African art · Art · Visual arts · African history and culture studies · Psychology
The Tabwa Context
Telling Tales While Keeping Secrets
Writing Oral Narrative
Conclusion
Bisa Storytelling
On the Concept of Prototype in Songye Masquerades
Observing Komo among Tagwa People in Burkina Faso
The Pangolin
Storytelling in Northern Zambia
Further Perspectives on Kifwebe Masquerades
Symbols of rank, leadership, and power in traditional cultures
Paintings Like Prayers
The Sublime Dance of Mende Politics
| Obras citantes distintas | 13 |
|---|---|
| Citas por año | 0,45 |
| Intervalo de citas | 1997 - 2020 (24) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 13 |