A Memoir of Early Field Photography
Datos Bibliográficos
| ID | 9023339 |
|---|---|
| Autores | G I Jones (autor de correspondencia) |
| Año | 1985 |
| Volumen | 18 |
| Número | 4 |
| Páginas | 64 |
| Fecha de publicación | 1985-08-01 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | African Arts (JOURNAL) |
| Identificadores de la revista | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/3336259 |
| OpenAlex | W2073272649 |
| Idioma | EN |
| Citas recibidas | 3 |
W hen I was at the university in the 1920s I became hooked on Post-Impressionism and on the Negro sculpture that was said to inspire much of it. Later, as a District Officer in Nigeria, I found myself in the land where a lot of the art came from. The masks and figures I'd seen in museums and illustrated in coffee-table picture books were still being used in masquerades or as decorations for spirit shrines and community meeting houses. Others had survived stored in the mat roof of their owners' houses where the smoke from occa
Art · Art history · Field (mathematics · Memoir · Photography · Visual arts · African history and culture studies · Mathematics · Photography and Visual Culture
| Citas por año | 0,08 |
|---|---|
| Intervalo de citas | 1989 - 2017 (29) |
| Altamente citado | No |