African Art in Motion
Icon and Act in the Collection of Katherine Coryton White
Datos Bibliográficos
| ID | 9024312 |
|---|---|
| Autores | William Bascom (autor de correspondencia), Robert Thompson (0009-0009-2526-9616), Robert Farris Thompson |
| Año | 1974 |
| Volumen | 7 |
| Número | 4 |
| Páginas | 85 |
| Fecha de publicación | 1974-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | African Arts (JOURNAL) |
| Identificadores de la revista | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/3334903 |
| OpenAlex | W2319417076 |
| Idioma | EN |
| Citas recibidas | 16 |
Art · Art history · Biology · Icon · Motion (physics · Visual arts · White (mutation · African history and culture studies · Artificial Intelligence · Colonialism, slavery, and trade · Computer Science · Global Maritime and Colonial Histories
On Repetition in Black Culture
Keynote Introduction for Robert Farris Thompson
World Heritage and Cultural Economics
Kinesonic Repertoire and Racial Discourse in Japanese Brazilian Taiko Practice
The Reappearance of the Authentic
Communities of Sense/Communities of Sentiment
Document
Sites of Persuasion
Document
Shared Heritage, Contested Terrain
Is There History in Horizontal Masks? A Preliminary Response to the Dilemma of Form
Imaging and Imagining the Cosmos
A View of a Landscape and Other Church Problems
Puppets, Masks, and Performing Objects at the End of the Century
From Transnational to Transafrican
Transacting Obasinjom
| Obras citantes distintas | 16 |
|---|---|
| Citas por año | 0,46 |
| Intervalo de citas | 1991 - 2022 (32) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 14 |