Screening Antarctica

Britain, the Falkland Islands Dependencies Survey, and Scott of the Antarctic (1948)

Datos Bibliográficos

ID9220221
AutoresKlaus Dodds (0000-0001-5074-0662, Royal Holloway University of London, autor de correspondencia), Klaus J Dodds
Año2002
Volumen38
Número204
Páginas1-10
Fecha de publicación2002-01-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaPolar Record (JOURNAL)
Identificadores de la revistaISSN: 0032-2474 • E-ISSN: 1475-3057
EditorialCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0032247400017253
OpenAlexW1981159139
IdiomaEN
Citas recibidas3
Referencias citadas15

This paper explores Ealing Studios' cinematic production about Robert Falcon Scott and the Terra Nova expedition, released to British audiences in 1948. Under the title of Scott of the Antarctic , the film recreated the tragic failure of the expedition on its return from the South Pole. The race to the South Pole had ended with victory for Roald Amundsen and post-colonial Norway. Three decades later, Britain again found itself involved in an intense territorial competition with two post-colonial states, Argentina and Chile. In the midst of decolonisation, the postwar government under Prime Minister Clement Attlee was engaged in a ‘cold war’ in Antarctica. The Falkland Islands Dependencies Survey (FIDS) had been created in order to protect sovereignty claims to the Antarctic Peninsula. While some attention has been given to the cultural significance of Scott of the Antarctic , there has been little geopolitical commentary on this film. As an empty space devoid of indigenous populations, Antarctica was invitingly incomplete. Produced with the co-operation of the Scott Polar Research Institute and FIDS, this film depicted a failed imperial project at a time when Britain desperately needed scientific practices such as mapping to consolidate territorial sovereignty. The paper explores the actual filming process along with the verdicts of contemporary critics in order to make a critical appraisal of Britain's changing role in Antarctica. It is sobering to note that while FIDS was supporting the film Scott of the Antarctic , Argentina was attempting to indoctrinate a new generation of schoolchildren about the realities of the Argentine Antarctic sector

Archaeology · Colonialism · Economic history · Geopolitics · Indigenous · Peninsula · Political science · Politics · Sovereignty · Victory · Geographies of human-animal interactions · History · Law · Polar Research and Ecology · Travel Writing and Literature