Richard Halliburton's Bearded Tales
Datos Bibliográficos
| ID | 9239751 |
|---|---|
| Autores | Christine E Morris (0000-0002-9335-9578, Schlumberger (Ireland), autor de correspondencia), Charles E Morris |
| Año | 2009 |
| Volumen | 95 |
| Número | 2 |
| Páginas | 123-147 |
| Fecha de publicación | 2009-05-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Quarterly Journal of Speech (JOURNAL) |
| Identificadores de la revista | ISSN: 0033-5630 • E-ISSN: 1479-5779 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00335630902842061 |
| OpenAlex | W1978215063 |
| Idioma | EN |
| Citas recibidas | 2 |
Fusing the concept of “the beard” with the genre of the tall tale to theorize bearded tales deepens our understanding of closet eloquence, or rhetorical repertories of sexual passing in U.S. history. An examination of adventurer-writer-lecturer Richard Halliburton's sexual provenance and bestselling travel tale, The Royal Road to Romance (1925), illustrates how such autobiographical feints conceal and confound queer subjectivity by proximate heteronormative apparitions that configure straight ethos. At the same time, these fragile constructions gesture toward queer worlds inscribed between the lines for the fourth persona while reflecting upon the exile of archives, and the queer legacy of bearding
Adventure · Archaeology · Art · Art history · Closet · Ethos · Inscribed figure · Literature · Queer · Rhetorical question · Romance · Sociology · Subjectivity · American Sports and Literature · Cultural History and Identity Formation · Folklore, Mythology, and Literature Studies · Gender Studies · History · Philosophy
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 0,17 |
| Intervalo de citas | 2014 - 2018 (5) |
| Velocidad de citación | historical |
| Altamente citado | No |