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Toward an Aesthetics of Self-Sovereignty

The Symbolic of Anti-Authoritarian Discourse in Mohammed Khaïr-Eddine's Agadir

Datos Bibliográficos

ID9250110
AutoresLyamlahy Lyamlahy (autor de correspondencia)
Año2018
Volumen49
Número3
Páginas131
Fecha de publicación2018-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaResearch in African Literatures (JOURNAL)
Identificadores de la revistaISSN: 0034-5210 • E-ISSN: 1527-2044
EditorialIndiana University Press (PUBLISHER • US)
DOI10.2979/reseafrilite.49.3.09
OpenAlexW2912874676
IdiomaEN
Referencias citadas14

Agadir, published in 1967 by Editions du Seuil, is an iconoclastic novel by Moroccan Francophone poet and writer Mohammed Khaïr-Eddine. Written in the aftermath of the terrible earthquake that leveled the Moroccan southern city of Agadir in 1960, the novel includes a violent critique of various forms and performances of authority in postcolonial Morocco. Beyond the symbolism of destruction and investigation, the disorientating narrative of Agadir fiercely questions the figures and the representations of sovereignty. This article, based on a close reading of Khaïr-Eddine's work and supported by material from his early interviews and critical theories of sovereignty by Achille Mbembe, aims to explore the narrative and discursive strategies of revolt used by the Moroccan author to challenge the performances of political and cultural authority. In this article, I argue that Agadir can be understood as a metaphorical representation of the struggle against authoritarian discourses in postcolonial Morocco, which points to the necessity of a movement centered in the self and aimed to rethink both the subject and the very act of writing

Aesthetics · Art · Authoritarianism · Democracy · Political science · Politics · Sovereignty · Islamic Studies and History · Law · North African History and Literature · Philosophy · Political Theology and Sovereignty

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Velocidad de citaciónhistorical
Altamente citadoNo
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