Pindar and the Poetics of Permanence
Datos Bibliográficos
| ID | 9290602 |
|---|---|
| Autores | Henry Spelman (0000-0002-8934-0671, Christ's College, Cambridge, WHD Rouse Junior Research Fellow, autor de correspondencia) |
| Año | 2018 |
| Páginas | 352 |
| Fecha de publicación | 2018-05-10 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Pindar and the Poetics of Permanence (SOURCE_BOOK) |
| Editorial | Oxford University PressOxford (PUBLISHER) |
| DOI | 10.1093/oso/9780198821274.001.0001 |
| OpenAlex | W2808796551 |
| Open Library | OL30593818M |
| ISBN | 9780198821274 |
| Idioma | EN |
| Citas recibidas | 22 |
This work is concerned with Pindar and archaic Greek literary culture. Part One discusses Pindar’s relationship to his audiences. It demonstrates how his victory odes address an audience present at their premiere performance and also a broader secondary audience throughout space and time. I argue that getting the most out of these texts involves simultaneously assuming the perspectives of both. Part Two describes how Pindar uses other lyric to situate his work both within an immanent poetic history and within a contemporary poetic culture. It sets out Pindar’s vision of the literary world, both past and present, and shows how this framework shapes the meaning of his work. Whereas the last several decades of scholarship on early Greek lyric have focused on the immediate contexts of first performance, this work instead focuses on the rhetoric and realities of poetic permanence and provides the first book-length study devoted to this topic. It combines historical and literary perspectives in a unique way in order to offer a new understanding of the nature of early Greek poetic culture and new insights into the texts that it produced
Aesthetics · Art · Composition (language · Epistemology · Intertextuality · Linguistics · Literature · Meaning (existential · Order (exchange · Poetics · Poetry · Politics · Rhetoric · Scholarship · Victory · Byzantine Studies and History · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · Philosophy · Criticism and interpretation · Greek Odes · Greek poetry · Greek poetry, history and criticism · History and criticism · Pindar
Theatrical Reenactment in Pindar and Aeschylus
Explorations in Latin Literature
Echoing the Eleusinian World
Classicising ‘Pindar’
Pindar, Hesiod, and the Charites of Orchomenos ( Olympian 14)
Λυσιμελης
Tragic Hexameters and Generic Archaeology
Reciprocity, Truth, and Gender in Pindar and Aeschylus
Cosmography and the Idea of Hyperborea in Ancient Greece
To Be or Not to Be Yourself
Arquitetos de Canções”
Staging Literary History in Old Comedy
Heraclitus on First (and Further) Hearings
Approaching Hellenistic aesthetics
Genealogies of τέχνη
Pindaric Intertextuality and Tragic Irony in Sophocles’ Trachiniae
Pindar Nemean 2.13-15
Intertextuality in Early Greek Poetry
Genre in Archaic and Classical Greek Poetry
The View From Olympus
Schools, Reading and Poetry in the Early Greek World
Intertextual Agōnes in Archaic Greek Epic
| Obras citantes distintas | 22 |
|---|---|
| Citas por año | 3,14 |
| Intervalo de citas | 2019 - 2026 (8) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 22 |