Actors and Icons of the Ancient Theater
Datos Bibliográficos
| ID | 9290704 |
|---|---|
| Autores | Eric Csapo (autor de correspondencia) |
| Año | 2010 |
| Páginas | 248 |
| Fecha de publicación | 2010-01-15 |
| Open Access | Sí |
| Tipo | BOOK |
| Revista | Actors and Icons of the Ancient Theater (SOURCE_BOOK) |
| Editorial | Wiley (PUBLISHER • GB) |
| DOI | 10.1002/9781444318036 |
| OpenAlex | W642512541 |
| Open Library | OL23712358M |
| ISBN | 9781444318036 |
| Idioma | EN |
| Citas recibidas | 110 |
List of illustrations vi Preface viii List of abbreviations xiii 1 A Portrait of the Artist I: Theater-Realistic Art in Athens, 500--330 BC 1 2 A Portrait of the Artist II: Theater-Realistic Art in the Greek West, 400--300 BC 38 3 The Spread of Theater and the Rise of the Actor 83 4 Kallippides on the Floor Sweepings: The Limits of Realism in Classical Acting 117 5 Cooking with Menander: Slices from the Ancient Home Entertainment Industry? 140 6 The Politics of Privatization: A Short History of the Privatization of Drama from Classical Athens to Early Imperial Rome 168 Bibliography 205 Index 227
Aesthetics · Art · Art History and Market Analysis · Classical Antiquity Studies · History · Shakespeare, Adaptation, and Literary Criticism · Acting · Actors · Greece · Rome · Theater · To 1500 · to 500
Rhesus and the Evolution of Tragedy
Menander
Figure d’Atene nelle opere di Plutarco
Music and Dance in Tragedy After the Fifth Century
Laughter
Fourth-century comedy before Menander
Money Making, ‘Avarice’, and Elite Strategies of Distinction in the Roman World
Artists beyond Athens
The Tragedians of Heraclea and Comedians of Sinope
Skilled Workers in the Ancient Greek City
Introduction
Music and Metre
Hellenistic Tragedy and Satyr-Drama; Lycophron’s Alexandra
Beyond Athens
Performing gender in Greek Old and New Comedy
The Profession of Mousikē in Classical Greece
Epicharmus and early Sicilian comedy
Labour Specialization in the Athenian Economy
The Exagōgē of Ezekiel the Tragedian
Professionalism, Specialization, and Skill in the Classical Spartan Army?
Theatre Performance After the Fifth Century
Roman Comedy and the Poetics of Adaptation
The rivals of Aristophanes and Menander
Character types
Comedy and Athenian festival culture
Slaves and Roman Comedy
Theatrical Reenactment in Pindar and Aeschylus
The Rhesus
Neither Amateurs nor Professionals
The Phanagoria Chous
Greek Tragedy After the Fifth Century
Introduction
Professionalism in Archaic and Classical Sculpture in Athens
Fathers and Sons
Artists of Dionysus
Theatre and Performance in the Bosporan Kingdom
Snapshots of Aristophanes and Menander
Gods and Roman Comedy
The Northward Advance of Greek Horizons
Comedy and Athenian law
Attic comedy in the rhetorical and moralising traditions
Celebrating Dionysus in Istros and Tomis
Stage Action in Roman Comedy
The Fifth Century and After
Roman Comedy in Early Modern Italy and France
Scholars and Scholarship on Tragedy
Epilogue
The politics of Greek comedy
Dramatic technique and Athenian comedy
Black Sea Back Story
The Language of Roman Comedy
Contexts of reception in antiquity
Fragmentary Greek Tragedies Set in the Black Sea
Roman Sculptors at Work
Ancient Theatre in Tauric Chersonesus
Historiography and Theatre
The reception of Greek comedy in Rome
Roman Comedy in Germany (from Humanism to Lessing)
Roman Comedy on Stage and Screen in the Twentieth and Twenty-First Centuries
Metatheatre
The Greek ‘comic hero’
Roman Comedy in Early Modern England
Society and Politics in Post-Fifth-Century Tragedy
Comic Technique
Theiconography of comedy
The Manuscripts and Illustration of Plautus and Terence
Paratheatrical Performances in the Bosporan Kingdom
Mothers and Whores
Theatre at Olbia in the Black Sea
Many Ancient Greek Occupations, but Few Professions
Attitudes Towards Tragedy from the Second Sophistic to Late Antiquity
The Politics of Roman Comedy
A Professional Roman Army?
Greek Tragedy in the Fourth Century
Divinity and religious practice
Il ruolo del teatro nella contesa fra Eschine e Demostene
Mais do que pura poesia
Crowns, Garlands, and Ribbons for Tony Podlecki
Male Stage-Nudity in Aristophanes
Out of Athens. Ritual Performances, Spaces, and the Emergence of Tragedy
Performing Greek Comedy
The Cambridge Companion to Roman Comedy
Skilled Labour and Professionalism in Ancient Greece and Rome
The Cambridge Companion to Greek Comedy
Ancient Theatre and Performance Culture Around the Black Sea
Ein Affe spielt Tragödie. Zum Problem der Tiermaske bei vermeintlichen und tatsächlichen Schauspielerstatuetten
The Fury of Lyssa on Painting and Drama. Its Depiction on an Attic Bell-Krater in Ancient Iberia
Aristotle and the Tragic Theater in the Fourth Century b.c
Scale, space and canon in ancient literary culture
Hermippus FGrH 1026 F84
Un exemple de genre fluide dans la nécropole du Céramique
Choruses for Dionysus
Disrupting illusion in ancient Greek comedy
Milan cake-eaters or Athenian cake-stealers
Making gods real through choral dance
The Final Chapter of Aristotle’s Poetics
A Horn for Phemius
Once More a Weasel
The Aeschylean Sting in Wasps ’ Tale
A Picture Is Worth a Thousand Words
| Obras citantes distintas | 110 |
|---|---|
| Citas por año | 7,33 |
| Intervalo de citas | 2011 - 2026 (16) |
| Velocidad de citación | current |
| Altamente citado | Sí |
| Tipos de cita | Neutras: 109 |