The Voice of the Actor in Greek Tragedy
Datos Bibliográficos
| ID | 9308044 |
|---|---|
| Autores | Zoja Pavlovskis (autor de correspondencia) |
| Año | 1977 |
| Volumen | 71 |
| Número | 2 |
| Páginas | 113-113 |
| Fecha de publicación | 1977-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The Classical World (JOURNAL) |
| Identificadores de la revista | ISSN: 0009-8418 • E-ISSN: 1558-9234 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/4348797 |
| OpenAlex | W2801622054 |
| Idioma | EN |
| Citas recibidas | 30 |
Aesthetics · Art · Greek tragedy · Linguistics · Literature · Tragedy (event · Classical Antiquity Studies · History · Philosophy
The Metatheatrical Payoff of Splitting Theseus in the Oedipus at Colonus
Introduction
Introduction
Introduction
Challenging authority in the assemblies of the Iliad
Epilogue
Prologue
Sidelining debate in the Odyssey
Herodotus' Odyssean enquiry
Beyond the agon in Euripides' Hecuba
Thucydides writes debate
Speaking back in Sophocles' Ajax
Beyond Athens
The Rhesus
Scholars and Scholarship on Tragedy
Greek Tragedy in the Fourth Century
Attitudes Towards Tragedy from the Second Sophistic to Late Antiquity
Theatre Performance After the Fifth Century
Hellenistic Tragedy and Satyr-Drama; Lycophron’s Alexandra
Greek Tragedy After the Fifth Century
The Fifth Century and After
The Exagōgē of Ezekiel the Tragedian
Society and Politics in Post-Fifth-Century Tragedy
Music and Dance in Tragedy After the Fifth Century
The Mortal Voice in the Tragedies of Aeschylus
Heroism, Heracles, and the ‘Trachiniae’
The Mockery of Madness
Distant Ventriloquism
Entering the Agon
Greek Tragedy on the Move
| Obras citantes distintas | 30 |
|---|---|
| Citas por año | 0,65 |
| Intervalo de citas | 1980 - 2019 (40) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 29 |