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Revisiting Kwame Nkrumah’s African Personality

The Diaspora Context and the Making of Ghana Television

Datos Bibliográficos

ID9333066
AutoresEmmanuella Amoh (0000-0002-3465-1720, Purdue University West Lafayette, autor de correspondencia)
Año2022
Volumen25
Número1
Páginas33-56
Fecha de publicación2022-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaGhana Studies (JOURNAL)
Identificadores de la revistaISSN: 1536-5514 • E-ISSN: 2333-7168
EditorialUniversity of Wisconsin Press (PUBLISHER • US)
DOI10.3368/gs.25.1.33
OpenAlexW4320928058
IdiomaEN
Citas recibidas2

In 1963, President Kwame Nkrumah announced there would be a national television, which was to be Ghanaian, socialist, and African in content, departing from the commercialism and sensationalism of Western television. The goals of what would become Ghana Broadcasting television were part of Nkrumah’s pursuit of an African Personality. This article examines the complexity of the African Personality, which lies within diaspora African politics, and the tension between Africanism and Westernization. Using Ghana television as a lens, it asserts that the African Personality was not anti-Western or an essentialization of African culture. Rather, it was a revolutionary praxis envisioned by Nkrumah and his diaspora network for decolonization, Pan-Africanism, and postcolonial nation-building

Diaspora · History of Africa · Kwame · Media studies · Personality · Political science · Sociology · Westernization · African history and culture studies · Anthropology · Gender Studies · Law · Psychology · Social Psychology

  • Kwame Nkrumah and the Artistic Nation

    Alfred Patrick Addaquay•African Arts•2026

  • Audiovisual artefacts

    Open Access•Jennifer Blaylock•Social Dynamics•2024

Obras citantes distintas2
Citas por año1
Intervalo de citas2024 - 2026 (3)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 2
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