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Beauty in the blink of an eye

The time course of aesthetic experiences

Datos Bibliográficos

ID9620148
AutoresSan Verhavert (0000-0003-0633-9753, Laboratory of Experimental Psychology University of Leuven (KU Leuven) Belgium), J Wagemans (0000-0002-7970-1541, KU Leuven), M Dorothee Augustin (Laboratory of Experimental Psychology University of Leuven (KU Leuven) Belgium), Marc Augustin (0000-0002-1285-0307, KU Leuven, autor de correspondencia)
Año2018
Volumen109
Número1
Páginas63-84
Fecha de publicación2018-02-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaBritish Journal of Psychology (JOURNAL)
Identificadores de la revistaISSN: 0007-1269 • E-ISSN: 2044-8295
EditorialWiley (PUBLISHER • GB)
DOI10.1111/bjop.12258
PMID28805247
OpenAlexW2747148665
IdiomaEN
Citas recibidas2
Referencias citadas28

Under normal circumstances, perception runs very fast and seemingly automatic. In just a few ms, we go from sensory features to perceiving objects. This fast time course does not only apply to general perceptual aspects but also to what we call higher‐level judgements. Inspired by the study on ‘very first impressions’ by Bar, Neta, and Linz (2006, Emotion , 6 , 269) the current research examined the speed and time course of three aspects of the aesthetic experience, namely beauty, specialness, and impressiveness. Participants were presented with 54 reproductions of paintings that covered a wide variety of artistic styles and contents. Presentation times were 10, 50, 100 and 500 ms in Experiment 1 and 20, 30 and 40 ms in Experiment 2. Our results not only show that consistent aesthetic judgements can be formed based on very brief glances of information, but that this speed of aesthetic impression formation also differs between different aesthetic judgements. Apparently, impressiveness judgements require longer exposure times than impressions of beauty or specialness. The results provide important evidence for our understanding of the time course of aesthetic experiences

Aesthetics · Art · Beauty · Cognitive psychology · Course (navigation) · Painting · Perception · Presentation (obstetrics) · Variety (cybernetics) · Visual arts · Aesthetic Perception and Analysis · Artificial Intelligence · Color perception and design · Computer Science · Neuroscience · Olfactory and Sensory Function Studies · Psychology

  • Effects of Touching Sculptures on the Artistic Appreciation of Collative Emotional/Perceptual Properties

    Open Access•José Lino Oliveira Bueno, Márcia Regina Motta et al.•Paidéia (Ribeirão Preto•2020

  • Representation Gap in Standardized Affective Stimuli Sets

    Open Access•Sabine Prantner, Cristina Giménez‐garcía et al.•Sexuality & Culture•2024

  • Evaluating Faces on Trustworthiness After Minimal Time Exposure

    Antony Todorov, Alexander Todorov et al.•Social Cognition•2009

  • Very first impressions

    Michael Bar, Moshe Bar et al.•Emotion•2006

  • The Primacy of Beauty in Judging the Aesthetics of Objects

    Open Access•Thomas Jacobsen, Katharina Buchta et al.•Psychological Reports•2004

  • Studies in the New Experimental Aesthetics

    Open Access•Richard Colwell•Journal of Research in Music…•1975

  • A model of aesthetic appreciation and aesthetic judgments

    Open Access•Helmut Leder, Benno Belke et al.•British Journal of Psychology•2004

  • Ten years of a model of aesthetic appreciation and aesthetic judgments

    Open Access•Helmut Leder, Maria Nadal et al.•British Journal of Psychology•2014

  • "Mapping the aesthetic space of literature "from below

    Open Access•Christine A Knoop, Valentin Wagner et al.•Poetics•2016

Obras citantes distintas2
Citas por año0,33
Intervalo de citas2020 - 2024 (5)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 2
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