Paul the Silentiary and Claudian
Datos Bibliográficos
| ID | 9662417 |
|---|---|
| Autores | Mary Whitby (Science Oxford, autor de correspondencia) |
| Año | 1985 |
| Volumen | 35 |
| Número | 2 |
| Páginas | 507-516 |
| Fecha de publicación | 1985-12-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | The Classical Quarterly (JOURNAL) |
| Identificadores de la revista | ISSN: 0009-8388 • E-ISSN: 1471-6844 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0009838800040337 |
| OpenAlex | W2146798606 |
| Idioma | EN |
| Citas recibidas | 25 |
| Referencias citadas | 12 |
The extent to which Latin was familiar to the inhabitants of late sixth- and early seventh-century Constantinople is a topic of current discussion and interest. While there is little evidence to suggest a significant knowledge of Latin even among the educated in the seventh century, it is clear that in the late sixth century the language was still familiar to a section of the upper classes. Among native easterners, the degree of this familiarity would certainly have varied considerably, from those who could recognise a few words of Latin, through the lawyers, administrators and military men who had a specialised, professional knowledge, to the small proportion who could detect the Virgilian echoes in Corippus' panegyric of Justin II. Whether Paul the Silentiary, epigrammatist and panegyrist of the Emperor Justinian's church of S. Sophia, should be included in the small category who were acquainted with Latin literature is indeed a more far-reaching issue than that of the survival of Latin in the eastern capital, since it is an element in the larger problem of the extent to which late Greek poets knew and imitated the work of their Latin predecessors. The broad generalisations of the past no longer satisfy modern scholarship, which rightly demands rigorous scrutiny of the evidence for each individual author
Art · Byzantine Studies and History · Classical Antiquity Studies · Historical and Religious Studies of Rome · History · Philosophy
Classical Revivals and “Pagan” Art
The Livian Revival
Conclusion
The Frigidus
Correctors and Critics II
The Annales of Nicomachus Flavianus I
The Poem Against the Pagans
The “Pagan” Literary Revival
The Real Circle of Symmachus
Pagan Converts
Pagan Scholarship
Pagan Writers
Correctors and Critics I
Greek Texts and Latin Translation
From Constantius to Theodosius
Priests and Initiates
The Historia Augusta
Other Christian Verse Invectives
Macrobius and the “Pagan” Culture of his Age
The Annales of Nicomachus Flavianus II
Pagans and Polytheists
“Ekphrasis of St. Sophia” by Paul the Silentiary and the Earlier Poetic Tradition
Claudian and the Roman Epic Tradition
City Personifications and Consular Diptychs
The Last Pagans of Rome
Greek translations of Latin literature in the fourth century A.D.
Claudii Claudiani Carmina
A Nativity Poem of the Sixth Century A.D
A Commentary on Quintus Smyrnaeus Posthomerica XII
The Ceremonial Book of Constantine Porphyrogennetos
Paulus Silentiarius, Ovid, and Propertius
Roma, Constantinopolis, the Emperor, and his Genius
Roma and Constantinopolis in Late-Antique Art From 312 to 365
Notes sur deux Panégyriques
| Obras citantes distintas | 25 |
|---|---|
| Citas por año | 1,56 |
| Intervalo de citas | 2010 - 2019 (10) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 25 |